Whereas Module III covered traditional publishing, Module IV will address self-publishing.
Module IV: Independent (or Self) Publishing
Module 4 will cover basic pointers for self-publishing. There will be 5 lectures, 1 workbook that you should complete, and supplementary handouts that you will want to go through in the order noted below. I’m also providing a few unaffiliated external links, so you have someplace to start shopping around for printing presses, getting price quotes, etc.
In the previous modules, the lectures were provided as audio recordings, but my laptop went kaput and I’ve been recording the audio with an app on my laptop. I don’t know how to do it with my desktop, so instead of mp4 files for download in Module 4, we have text–the audio lecture transcripts I would have read off of.
Continue reading “Writing and Publishing Nonfiction: Module IV”
Module III is all about the submissions and publication process with traditional publishers.
Coming after this module:
Module III: Traditional Publishers
Module 3 accompanies you from drafting your book proposal to querying traditional publishers. We’ll cover the big publishing houses (and how you’ll need a literary agent if you want to approach these publishers) and also the small to medium publishers (where you won’t need a literary agent).
There will be 5 audio lectures (total run time about 40 minutes), 3 workbooks, and supplementary handouts that you will want to go through in the order noted below.
Continue reading “Writing and Publishing Nonfiction: Module III”
This post is one of many installments of an independent study series on writing and publishing nonfiction books, with emphasis on publication in the category of New Age and spirituality. For more information, click this link to start at the introduction and Module I. I’ve pulled this particular document out of the series for its own post for SEO reasons. You know. Because I bet a ton of people google-search “author publisher agreements” or “publishing contract.”
Did you write a nonfiction book? Have you submitted your proposal to traditional publishers? Do you know for sure you’re going the route of traditional publishing? Do you have an offer in hand already? Have you published a book already and think you didn’t do a good enough job negotiating your own contract and would like some tips before you sign the deal for your next book?
No matter what stage you’re at, if you know you’ll be encountering the author publisher agreement, then here’s the workbook you’ve been waiting for. From the perspectives and experiences of both an intellectual property lawyer and a traditionally published author, this workbook will walk you through every material clause in the standard publishing contract.
Continue reading “Author Publisher Agreements: Understanding Your Publishing Contract”
Modules I and II are being posted consecutively this week working toward the new moon in Taurus so that maybe everything will be aligned just so and this weekend you’ll be motivated to get to work on that book you’ve always meant to write.
Do not proceed with Module II until you’ve completed the audio lectures and workbooks from Module I. I mean, you can if you want, it’s not like I can stop you, but it won’t make sense. Module II will make more sense if you’ve completed Module I.
Module I: Introduction
Refer back to the post on Module I here. You can also download all files for Module I via Dropbox by clicking below.
Assuming you’ve completed Module I, you now have a solid book idea, you know how and where it would be positioned in the current market, and you are prepared to finish your book manuscript.
Module II will offer some insights and guidance for completing your manuscript.
Module II: Completing Your Manuscript
Module 2 helps you grow your seed of a book idea and walks you through the process of nurturing that seed to full bloom, achieving a completed book manuscript. Let me tell you how I managed to stay on track and finish my books while working full-time and tending to family responsibilities. Let’s talk about the daily grind. How do you structure the chapters of your book? How do you schedule your weeks to make sure you get your target writing done? What are some of my personal tips and tricks? The handouts in this module will help you to track your progress. Also, how can you tell if a work is in the public domain? What exactly constitutes fair use? I’ve got handouts for both questions.
There will be four audio lectures (for a total of about 35 minutes play time), two workbooks for you to complete, and supplementary handouts that you will want to go through in the order noted below.
Continue reading “Writing and Publishing Nonfiction: Module II”
I’m putting together a multi-media web series on writing and publishing nonfiction, placing emphasis on nonfiction in the spirituality and New Age category. I was going to wait until I finished the entire course, all proposed modules, but then I was like F it. Let’s just play this by ear. Throw the spaghetti against the wall and see what sticks.
As each new installment is published here, I’ll link everything together so no matter when you stumble upon these posts, you can trace back to the beginning and follow the steps in consecutive order. All installments will be tagged with the “book writing” category, so you can simply click on that category label and every installment will pop up.
This independent study course will consist of a bunch of downloads, some free and some not so free, pretty much depending on my mood that day that I’m putting the installment together and posting it. There may be some jumping around, however. So for instance, the next installment I have scheduled is out of the order of modules and instead, is a single workbook on publishing contracts. Then we’ll get back to the modules, for Module II.
All right. Why don’t you read on to see what this is all about.
Continue reading “Writing and Publishing Nonfiction: Module I”