This is a look-through of Casey Zabala’s Wanderer’s Tarot. It’s a black and white tarot deck published in 2021 by Weiser Books billed as a feminist tarot deck for modern witches.
In terms of production, it comes in a fold-out matte finish box while the cards have a semi-gloss finish with metallic silver edging. The size is more oracle than your typical tarot standard, which elevates the presentation aesthetics when you use these cards on clients for professional readings.
Meera Tarot immediately stands out from the crowd, and as soon as I saw it, I realized I had nothing quite like it in my current collection. The art has postmodern avant-garde somewhat Cubist take on medieval Hinduism, rendered with bold, vivid colors and emotive geometric forms.
The deck’s namesake “Meera” means prosperous, virtuous, and fearless, in disregard of social conventions; it can reference a devotee of Krishna, one who is a mystic and a creative.
From the suit of Cups. Per the companion guidebook, this is the realm of feeling. People connected to this suit tend to be artistically gifted and imaginative. Reversed, the suit of Cups can express emotional blocks and repression.
A compelling thesis of this deck is the binate feminine and masculine within each one of us, and that dichotomy’s ever shifting balance. How do you become self-aware of that internal exchange and how does one integrate the two toward self-actualization? The narratives within these cards express the Twin Flame Journey not as one soul in two bodies, but two souls within one body–thus you’ll see the recurring symbolism of the yin and yang.
Random old photo to accompany the commentary. I’m holding the Tarot of the Holy Light by Christine Payne-Towler, which at some point long, long ago I received for free. Do I need to disclose that?
Psst… I have a “TL;DR Short Summary for the Not-Readers” that summarizes this otherwise very long blog post. So if you don’t have the time or you’re only a little bit interested and not that interested, then scroll all the way down to the end for the TL;DR Short Summary.
I’m reviving and sharing a blog post I drafted in 2019 that has sat in my WordPress saved file for the last 3+ years. It’s about FTC-issued disclosure guidelines (“Rules”) for social media influencers, and key takeaways to glean from the Rules if you’re creating content in the Mind, Body, Spirit spheres. I never got around to finishing and posting that 2019 draft, back when the FTC disclosure guidelines first gained traction, but I think now is a good time to reopen the discussion.
What’s of note to me is how the legal minds who are often the ones drafting these Rules seem to be people who have no personal experiences or insights into the communities they’re drafting the guidelines for. Even when they employ subject matter experts, those SMEs tend to be biased, or come from a very particularized segment of the community, and therefore do not fairly represent all interested parties.
There’s consumer protection, which nobody’s against. But then there’s untenable rules of compliance that aren’t clear enough for practical application by the people the rules are demanding compliance from.
By the way, none of this is my legal opinion, and do not rely on it as such. All of this is personal commentary in reaction to the FTC disclosure guidelines as someone who considers herself a deck reviewer but who could potentially be categorized as an “influencer.”
Eastern Ink Tarot was conceptualized by Zhong Ling, a Chinese tarot reader and founder of the Chengdu Arcana Culture Communication Company, the publisher of this deck. She’s also the founder of a tarot school in China, established in partnership with Lo Scarabeo.
Zhong Ling teamed up with award-winning artist Zi Kang, who studied under renowned Chinese masters and trained in traditional Chinese painting styles. For the paintings you see in Eastern Ink Tarot, he sourced his inspiration from ancient books, traditional Chinese culture, and philosophy, specifically the yin-yang school of Eastern philosophy.
Both Zhong Ling and Zi Kang are seasoned tarot scholars, and that’s something I really appreciate from deck creators. They’re passionate and learned about the tarot, and then decided to create a deck. In Eastern Ink, you can see that knowledge come through in which RWS symbols they preserve and where in the art they take creative liberties.
Carolyn Cushing and Jenna Matlin, in collaboration with Weiser Books, are hosting a series of content to celebrate the late Rachel Pollack’s re-release of A Walk Through the Forest of Souls. This is a day-long event for the tarot community, and you’ll find many contributors to this celebration.
The photos interspersed throughout this post are totally random, just for Pretty.
It would have made more sense for me to present this topic in video form on my YouTube channel, but I’ve been a bit under the weather with the flu, so my voice is scratchy, my nose is stuffed, and I don’t feel like putting on makeup. A blog post will have to suffice.
You’ll have to watch these videos first because what they have to say is what I’m referencing throughout this write-up. By the way I hope you’ll like and subscribe to them all as I have. ❤
David Vine is one of those rare treasures in the tarot community. Combining his academic training, knowledge of the classical languages, medieval literature, and art history with a passion for the tarot, Vine has translated several seminal French-language tarot texts, and Vintage Tarot Texts, Volume 1, is one such treat.
Just a random comment– A beautiful touch in this edition are the captioned historical illustrations throughout, such as this print of an array of ancient sistra and rattles. I so appreciate the added illustrations.
Volume I consists of seminal essays on the tarot by Court de Gebelin and comte de Mellet. The first text to address tarot at length in a symbological context was by comte de Mellet, and thus in one sense, his work is the foundational document for everything we have come to understand about the esoteric tradition of the cards.
If you pre-ordered the 2nd printing of the Spirit Keeper’s Tarot: Revelation, then your input is requested. And… so sorry… I need it, like, in the next 24 hours because I’m about to submit to the factory and start the production process.
UPDATE: Visit here to see the final proofs for the second print run box design.
Lisa Hunt’s art style is one of my favorites, with its intricate detailing, expressive features, and delicate grace. What she does with watercolor is nothing short of spectacular.
Hunt had mainly done high fantasy and mythology-inspired art in the past, so to see her take on the traditional American landscape painting is a treat. Look at how she rendered the quilt patterns in the Eight of Pentacles, the softness yet precision of Hunt’s lines.
The Pastoral Tarot celebrates the idyllic life of small towns of New England and the Mid-Atlantic, through the countryside of the Mid-West, and the coastal regions. Each landscape piece is a scene out of Americana, a call back to 20th-century North American life.
Wayne Rodney’s Global Fusion Intuitive Tarot is quickly becoming one of my favorite contemporary tarot decks. If you want a case study for diverse representation in tarot art done well, look no further than Global Fusion.
Rodney is a Jamaican American painter and illustrator who runs a martial arts studio. As an artist his work is heavily influenced by Rosicrucian mysticism, values of cultural diversity, and what I found throughout the Global Fusion Intuitive Tarot– Taoist metaphysics.
In this deck, Rodney orders the Minors before the Majors. The Sticks correspond with Wands or Clubs, expressing the traits of creative will and intuition. Of the four temperaments, he connects it to the Sanguine. Gems, Pentacles or Diamonds, signify the Phlegmatic, of the sensory and the practical. Vessels, Cups or Hearts, correspond with Melancholy, with emotions and feeling. Blades, Swords or Spades, signify the Choleric temperament, of reason, logic, and thought.