I’ve been at work on something, but in the meantime, wanted to come up for air and share this. Because I found it pretty cool, and suspect you might, too.
Well, the above is not it. That’s my own sketch of the Key based on Postel’s text.
Here’s the original illustration from the 1547 publication, Absconditorum Clavis by Guillaume Postel (1510 – 1581).
Postel was a truly fascinating figure and if you’ve got some time, read a biography on him. He also believed in the Eastern esoteric concept of soul dualism, though he framed it differently, i.e., instead of saying “yin and yang” aspects of soul, he said “female and male” aspects of the soul, with one being emotion and the other being intellect. Oh. Wow. Anima and animus, anyone? (Yeah, yeah, I know, not the same…) Nonetheless, bear in mind that Postel pre-dates Carl Jung by some odd 365 years.
I think the single most compelling reason to acquire this deck for your toolkit is to use them as easy, go-to charging plates for your charms, talismans, gemstones, crystals, and other metaphysical knick-knacks. Here, Inna Vinitski has already done the work for you. Once you get these cards, consecrate them and voila! Incredible! A set of tools for planetary magic at your fingertips!
This post will both showcase the Seals of Solomon cards, which I urge you to get if you want to deep-dive into working with the Key of Solomon, and also get into what the Key says about these seals, or pentacles.
To start, let’s try a little something, shall we? Below in the photo of the three magic cards, take a moment to gaze at each one, connecting your third eye (that space just between your brows) with the eye depicted on the card back. For one of these three cards, the tug at that space between your brows will feel stronger, more intense than for the others. Note which of the three cards gives you the strongest intuitive sensation.
Remember it, because we’ll be returning to your card selection later.
Solomonic magic is pretty much the foundation of occultism, modern witchcraft, and ceremonial magic west of India and China, encompassing Europe, the Middle East, and now the Americas.
What you will discover within the pages of this book I’m sharing, you’re going to find to be the keystones of Persian magic and witchcraft, the magical practices of Muslim-influenced Southeast Asian countries, the Golden Dawn (though many of their correspondences differ), hoodoo, Wicca, and maybe even the traditions you’ve inherited and have been wondering where those traditions might have come from.
If you’re serious about your occult studies, then I hope you’ll add this text to your library and read through it cover to cover at least once.
From my vantage point, this book is essential reading, even if for no other reason than to take it apart to realize once and for all this is not for you. That, too, is invaluable. Whether you want to strengthen the connection to these roots or you want to sever ties with the roots altogether and grow anew, either choice calls for an examination of this text.
The images from historically significant grimoires, the essence of the ritual instructions provided, and the methodology behind the crafting of seals, devising the magical scripts, and even how to prepare for ritual can help to inspire your own creativity, offering sparks and revelations for how to do Craft your way.
If you’re a total beginner, then please do not try out any of these rituals or operations on your own. Plus, the instructions are pretty clear that most of these conjurations should never be performed solitary.
At the beginner and intermediate level, a light read of this text is going to be the best introduction to ceremonial magic, witchcraft, and occultism west of the Indies you can get.
This should be your orientation manual into the Craft and the beginner steps for realizing your Great Work. Levi even says as much, which is why in a course I was putting together focused on Levi, I ended up having to back-track and start first with the Key of Solomon.
The Tarot Study Journal is for you to record all your card meanings and correspondences reference material. The structure of this journal is the same as the one previously shared for the tarot journal collab, except this one includes the Spirit Keeper’s Tarot deck. In other words, it’s a study journal for the Tarot de Marseilles, Rider-Waite-Smith, Thoth, and the SKT.
For those who have been following along the Tarot Card Meanings with Benebell video lecture series, this Tarot Study Journal is basically keyed to that video lecture series. So you can print out a copy of this journal and take all your notes from the lecture series in these pages.
She and I also teamed up to put together two free downloads for you. The Tarot Study Journal is, in short, where you keep card meanings and your research. The Tarot Readings Diary is where you log readings you’ve been doing for yourself or for others.
I will be creating these two journal versions for those with the Spirit Keeper’s Tarot deck (I’ve got the e-mail addresses for all purchasers) so stay on the look-out for that! I’ll be sending the downloads to your e-mail inbox in the next few weeks.
Psst… If you’re working with the SKT deck, then hold out for a version of these two journals that include sections keyed for the SKT. I’m going to be contacting you all via the SKT Newsletter with a ton of downloads, DOCX and PDF.
Chang’s Tarot Correspondences is tailored to all levels of tarot proficiency, whether you’ve “been reading for decades” or “you just picked up your first deck,” (as noted in the Introduction). “Correspondences,” she writes, “are patterns and connections inherited from esoteric systems. In tarot, correspondences line up with specific cards.”
Working with tarot correspondences is premised on the doctrine of sympathy, a Hermetic principle that the way one system goes with the other is part and parcel to the magic that happens. Correspondences, notes Chang, are the bridge between worlds. And I couldn’t agree with her more.
The following is an excerpt from The Book of Maps, the companion guidebook to the Spirit Keeper’s Tarot, a hand-illustrated black and white tarot deck crafted with practitioners of the mystic arts in mind. The pen and ink drawings were inspired by woodcut prints from the late Renaissance. Symbology called upon is based predominantly on medieval European alchemy, astrology (the Sacred Seven), Hermeticism, Zoroastrianism, Abrahamic angelology, Kabbalah, Catholicism/Christianity, Sufism, and Egyptian mythology.
For more information about the deck, go to:
Excerpt from The Book of Maps
Zoroastrian Magical Protection Charm
In an Avestan text dated to the 9th and 10th centuries, Ahura Mazda reveals to Zoroaster the magical powers of the falcon feather. The Magus who prays over a falcon feather can empower the feather into a charm that will ward off evil, cure and cleanse one of evil possession, and protect whosoever wields the feather against demons.
By far my favorite source of inspiration for my grimoire comes from the Wooden Books series published by Bloomsbury. I have the four-book set shown above, which I like to keep displayed out on a coffee table in our living room.
Each one of these four books informs my grimoire work in a different and valuable way. You can click on the photos in this post for the enlarged 1200 pixel-side image file for a closer viewing. I’m hoping these few snapshots already start to generate amazing ideas and inspiration for you.
Designa I use to inspire decorative borders, ornamentation, and just the design elements in my grimoire pages. If you’ve ever seen a flip-through of my book and now see these page spreads from Designa, you’re going to see the influence for sure.
What I most love about using these books for inspiration is not just the design elements, but the explanatory entries as well. That way I’m informed about the design elements I’m using and I can use them with intention and significance. Everything in my grimoire is meaningful to me and symbolic, and much of that capacity comes from consulting these books.
I love gemstones and crystals. I also like to keep a personal glossary of metaphysical correspondences for the gemstones and crystals I acquire. That’s what this document for free download is. I’m sharing with you my personal glossary in hopes it might be of use to you.
I’m providing both the PDF and DOCX for free download below. Both the DOCX and PDF versions have “smart headings,” so if you open the left-bar navigation pane in either Microsoft Word or your PDF viewer (in Adobe Reader they’re called bookmarks), you should be able to navigate between the alphabetically listed entries with ease. All correspondence reference tables at the back of the document are also enabled as “smart headings.”
The docx file is given to you so you can edit or redesign the document to suit your own needs.
You can also download a program, like Calibre, and convert one of these files to a PUB or MOBI file for your e-book reader.