ABOUT THE I CHING SYSTEM
Considered one of the oldest divination systems in world history, the I Ching is, at its core, a sacred text that empowers a practitioner. When you understand the I Ching as philosophy, you attain wisdom both of your inner self and of the cosmos. When you understand the I Ching as an expression of the Divine, you attain access to an incredible tool for communing with that Divinity.
The objective of this course is to impart a heightened level of proficiency with I Ching both as a divinatory system and as a magical system, so that a practitioner will be able to use the I Ching to divine for the self, for others, and integrate components of the I Ching into spell-crafting.
For the course and its enrollees, the Lady of the Ninth Heaven (Jiu Tian Xuan Nu) has been evoked for guidance and support. The Lady of the Ninth Heaven is likened to an archangel, originating from the Chinese Taoist pantheon. She is a protégé of the Empress Mother of the West (Xi Wang Mu), a dark goddess of war, magic, and spell-crafting.
According to myth, the Yellow Emperor, considered the legendary father of the Chinese civilization, evoked the Lady of the Ninth Heaven, who became his patron deity. She taught the Yellow Emperor military strategy and magic, which he used to defeat his enemies and establish the first dynasty.
The Lady of the Ninth Heaven is venerated as a goddess (or archangel) of high magic and intellectual prowess. Her symbols are the sword and a gourd of healing: she is a warrior and she is a healer.
I’ve dedicated this course in such a way so that all enrollees will be endowed with her guidance and support in all manners of their craft with the I Ching.
This course teaches several approaches to I Ching divination:
The issue of general readings versus specific readings is pertinent to most divinatory forms, whether we’re talking tarot, astrology, the I Ching, or even in terms of configurations for feng shui analysis. Rather than frame this post as general commentary, I want to talk about my personal approach, and since most of the divinatory work I do for people are in the modes of tarot and astrology, that’s what I’ll focus on.
Let’s start with my definitions.
A general reading is when a seeker doesn’t have a cogent, cohesive question to present for divination, but just wants insight for moving forward at the particular juncture point the seeker is at. For example, a seeker sits down in front of a tarot reader and the reader simply begins casting cards and reporting back what the reader interprets from the cards. Another example is a solar returns or birthday chart reading in astrology. A reading service such as a twelve-month forecast is also considered a general reading. In theory for a general reading, any subject matter that comes up in the reading is game.
A specific reading is when a seeker has a question in mind that is narrowly tailored and will require a direct, responsive answer. For example, the seeker wants to know about romantic prospects up ahead, or which career path to take, or which of three possible office site locations would be optimal for setting up a business. Here, even a broadly-cast inquiry such as “just whatever comes up that’s money related in my life” is an inquiry I’ll tuck under the category of a specific reading.
One more point before we proceed. To debate which is better, general reading or specific reading methods, is absurd. Readers also come with different strengths. No reader is all-powerful. Some excel at the general reading. Others excel at the specific reading. Play to your own strengths. That’s all there is to it.
My earliest memory of a psychic reading was in Taiwan with a nun at a monastery that my aunt, who is a nun, resided at. (Do I still refer to her as my aunt if she’s now a nun? I have no idea…) When you’re an Asian kid, grown-ups, especially grown-ups of the holy variety, don’t have names. They only have titles. So in Chinese, since we only spoke to her in Chinese, she was Shi Fu, or Teacher, and in English, privately amongst ourselves, she was The Psychic Nun. The aunt who is a nun is Auntie Nun. Auntie Nun is a little bit psychic while The Psychic Nun was full-on knew-your-past-life and knew-your-future psychic plus could-speak-to-the-dead so also medium. The Psychic Nun is referred to in the past tense because she’s no longer with us. I heard of her passing a few years after my maternal grandmother’s passing. It’s okay. She was like a billion years old already anyway and with all that good karma, is off to somewhere awesome.
Anyway, that introduction was way off-track from the subject matter of this post. This post is about go-to knick knacks in a tarot or divinatory reading space. I’m not asking about what you need to get your read on (because inevitably some holier-than-thou advanced tarot reader master will pipe up and say, “I don’t need anything but the power of my mind… I am not bound to materialism… toot toot“)–right, right, we all know that. But I’m asking what kind of knick knacks do you like in your reading space. I don’t need a pink toothbrush for effective dental hygiene but I like it when my toothbrush is pink, so I have a pink toothbrush. Get it?
Gwendolyn Womack’s The Fortune Teller, which was released earlier last week (June, 2017), is one of my favorite novels to make reference to tarot. It is the story of a woman who unlocks her heritage as a seer, tracing her roots back to ancient Alexandria, and in doing so, reveals the origins of the tarot.
We follow the characters across many continents, countries, time periods, and delightfully, historic figures and fictional interact. Tarot enthusiasts of all stripes will enjoy this novel and I highly recommend that you add it to your summer reading list.
Spoiler Alert: In this review I’ll highlight the key features of the novel and what I loved about it, though in doing so, may give away a couple of spoilers. I promise it won’t take away from the ending or the enjoyment of reading this book for yourself.
At Tarot Summer School 2017
To enroll in the course for $28, click the above button or click here to go to the Tarot Summer School landing page and check out my course offering, “Tarot and Shadow Work for Activating Dynamic Power.”
To strengthen your personal vitality and the reservoir of metaphysical powers you can command or control, through attunement to those inner and outer alchemical forces embedded into the archetypal tarot architecture.
We often hear about using tarot for shadow work. This course takes that concept a step further to address how tarot and shadow work can be utilized to cultivate dynamic personal power. The more personal power you wield, the greater likelihood of success you’ll enjoy in achieving your goals. To break vicious cycles that hold you down and to overcome that which haunts you, you need force. You can summon that force from within you and to navigate that inner landscape of yours in search of your powers, we use the tarot.
The course addresses how to source power from five specific inner reservoirs, corresponding with the architecture of tarot, which are as follows:
- Expert or authoritative power, which we harness through Fire;
- The power of charisma, or appeal, harnessed through Water;
- The power of punishment to reinforce your personal sovereignty, harnessed through Air;
- The power of reward, or building relations, harnessed through Earth; and
- The power of change, or the power of esoteric knowledge, harnessed by attuning to Spirit.
The tarot will be used as an anchoring and centering tool for navigating the inner landscape in search of those five reservoirs of power. We can also better understand these five powers of social psychology through the Major Arcana and the four suits of the Minor Arcana.
We will cover both the psychological and the metaphysical facets of these powers and how you can activate them by navigating your shadow landscape with the tarot. Overcome lack mentality. the pain of failure, recurring underachievement, fear, inertia, and insecurity by activating these five powers that are just beyond the nether regions of your own mind and will.
Tarot, social psychology, chakra strengthening, self-reflection, personal ritual, spell-crafting, and basic East Asian Qi energy work will be covered. The course content delves unabashedly into faith-based material.
B A C K G R O U N D N O T E S
Some of you may know of the online video companion course to Holistic Tarot already. I put out the first few video lectures for the series this past week. The videos supplement the study guides and handouts, which supplement the book, Holistic Tarot. To check out the course outline and description, click on the above hyperlinked banner. This blog post is just to offer some of the behind-the-scenes commentary.
Offering a Beginner’s Tarot Course
I have been pressed ad nauseum about offering a beginner’s tarot course. While I haven’t felt called to start production of materials with that specific intent in mind, as in an online multi-media course that teaches you how to read a deck of cards, I wrote Holistic Tarot with that specific intent (i.e., to instruct on tarot at the beginner level) in mind. Then when the book launched back in 2015, I created a portfolio of syllabi, study guides, and handouts to help people navigate the 800+ pages. That was my “beginner’s tarot course.”
Still I got pressed. Apparently that wasn’t what many of you folks had in mind when you think “beginner’s tarot course”?
If you haven’t watched the episode of ArwenTalks where Arwen Lynch interviews author and deck creator Jaymi Elford about the Triple Goddess Tarot, then do so right now. It’s a fantastic interview and Jaymi gives you incredible insights into her deck creation process. I count Jaymi as one of the tarot community folks I’m closest to, so I’ll disclose the potential bias upfront. I adore her, so it’s going to be a bit hard for me to not by extension naturally adore everything she does. However, I’ll try my best to remain neutral and objective. I’ll even throw in some criticism. Promise.
The deck is produced by Lo Scarabeo with art by Franco Rivolli, an Italian illustrator who produces some of the world’s best pagan-inspired art. So the Elford-Rivolli team is going to be a powerhouse. The color palette was well thought out, as you can see above, and I love how Triple Goddess uses the structure of tarot to tell the story of the Triple Goddess, an archetypal motif found across many cultures, East and West, and not just in specific strands of pagan faiths.
Holistic Tarot gets criticized for allegedly being unkind in its treatment of practitioners of craft, in particular witchcraft. Folks have interpreted my book as proposing that the magic of divination ought to be stripped of tarot entirely and that I’m telling you to approach tarot from a staunchly atheistic point of view. I wonder why for so many, life choices must be so mutually exclusive. Why does my personal spirituality let alone religious beliefs need to be apparent in everything that I produce?
The book’s tone has never been shy or misleading about taking an academic approach to understanding tarot. That is hardly a concentrated attempt to strip magic from tarot, an allegation rendered even more absurd if you know anything about my personal background. Also, I wrote Holistic Tarot as a beginner’s tarot book with a specific target reader in mind.
My intention for the book is to get you to a level of technical mastery over tarot. Technical mastery. That means yes, in the beginning, magic is stripped of the tarot the same way when you first learn a musical instrument for the purpose of someday mastering it, you strip all artistry from the practice of that instrument.
During your first 10,000 hours of lessons for mastering violin, it’s about how you hold the bow, how to string your own instrument, how to straighten your own bridge, how to tune your instrument, how to hold a whole note with no vibrato, not allowing you to use any vibrato at all until you’ve mastered your bow work, then how to master the vibrato, perfecting the execution of various techniques, rote learning, stripping you of all personal creativity and compelling you to learn technique your teacher’s way, playing boring scales and etudes until your fingers are blistered and your neck is bruised. It’s hardly musical at all. You could argue that such an approach is stripping the musicality from music.
This is a beginner’s course on how to read both a Placidus and a Whole Signs astrological chart with the tropical zodiac (the sidereal zodiac is not taught in this course, though we will cover the differences between a tropical and a sidereal zodiac). Yep, that’s right. Both will be taught. The mission of this course is to get you to know how to read both Placidus and Whole Signs, even if Whole Signs is my preferred system. (Meaning, there’s going to be a bias in favor of Whole Signs…)
This course does not teach chart construction and will only cover how to read a chart that you already have on hand, Placidus or Whole Signs. After covering the basics, you will learn how to read a natal chart, perform transits astrology readings, get a sense of both traditional astrology and modern astrology, dwarf planets and asteroids included, and if I’ll be damned, you are going to have one rock solid foundation in Western astrology that won’t be beat.
Competitive in content, by scope and depth, to beginner astrology courses that cost in the hundreds, Astrology Course for Beginners is intended to be budget-friendly, so everyone can learn how to simplify the complexities of Western astrology.