I’m now offering my art prints for sale, and if you’re interested, click on the above hyperlinked banner to go straight to the art descriptions page and instructions on how to order. But this is a blog post, so I want to get a little more cas (casual, pronounced “kage,” where “ka” is like “cat” and “ge” is pronounced like “george” omigod why am I taking so much time and text explaining something so stupid) and ramble about that process.
The above banner thing was totally just for fun, to amuse myself. I didn’t bother following any art composition principles, other than, well, the one I made up myself, which is “more is more.” =D Every single feature you see in that banner comes from the illustrations for the Spirit Keeper’s Tarot, The Revelation (my name for the third edition of SKT).
This blog post is just to share some of the behind-the-scenes art journeying.
These images are provided to the public for free download and under a Creative Commons Attribution license, which means the following:
You can share the images. You are free to copy and redistribute the illustrations in any medium or format.
You can adapt the images. You are free to transform, build upon, redesign, edit, revise, and in any way remix the illustrations for any purpose, including commercial purposes. Yes, you are free to profit financially from your adapted images of the SKT Vitruvian Majors, Aces, and Archangels.
Attribution or credit notes. My preference is that you make it very clear what part of the image or adapted image is attributed to my original work and what part is attributed to your creative additions. In other words, if you color in one of these black & white images and then sell your colored in SKT image, please make it clear in your product description that I am the artist for the black & white image while you are the artist for the coloring application. If you have traced part of my original art and then redesigned it, transforming it from the original, please include a note about what parts were my original and what parts you’ve redesigned and transformed. I say “my preference” because if you unintentionally forget to do that, I’m not going to be mad at you. =) But just please try not to forget.
While this license is free, if you do commercialize your SKT-based work, I’d be beyond thrilled to receive some merch! =) Send to the below address.
P. O. Box 20021
Castro Valley, CA 94546
If you might recall, Key 1: The Magus was the very first card I learned digital painting on. The line work was done by hand, scanned in, and the color was subsequently done via digital painting software programs. Then it was Key 2: The Priestess, and so on.
It’s amusing to look back on those first five keys, because it’s painfully obvious how scared of color I was. =) I didn’t know what I was doing. I was winging it. And you can tell.
It’s not until Key 6: The Lovers card that a noticeable improvement happens. Then after Key 7: The Chariot, off I went! =) Now that I know how to color, after finishing the Tens I’m going to return to Keys 1 through 5. I’ve already made notes on how I want to revise them.
You can click on any of these image files for an enlarged view.
This will be a walk-through of Keys 1 through 11 from the Major Arcana for the forthcoming third edition of the Spirit Keeper’s Tarot. Please note that I don’t anticipate the deck coming out any time sooner than 2021, and don’t be surprised if it doesn’t come out until 2022. I also won’t be doing pre-orders until the whole deck is done.
I made a little video to showcase the evolution of my Lovers card from the SKT, laced with Bach’s Prelude in C Major. =) You can click on that YouTube logo along the bottom bar of the video to enlarge.
Please understand that nothing has been committed to just yet. This is nothing more than an experimental trial, though I’m sharing it with you as an entry in my SKT progress diary. Your honest feedback is welcomed!
Actually, it’s very welcomed. Like the previous shitty-Emperor-card post. You all gave me really good critiques that were specific, detailed, and because of the collective you, I had something tangible to work with as I continued trying to draw a good Emperor card. (It’s still in the works. We’ll revisit Key 4 at a later time.)
Yeah. I needed the title in all-caps. Because I’m screaming at the top of my lungs and yanking at my own hair.
WHY IS DRAWING THE EMPEROR CARD SUCH A STRUGGLE?
For an irrational woo answer to that, I might say maybe it’s because our global collective culture is moving away from dominant-masculinity, and as a feminist I’m certainly not going to cry a river over that shift, but it does mean I’m really, really struggling with tapping in to that masculine energy.
To quell any confusion, yes, I’m at work on a third edition of the Spirit Keeper’s Tarot. No, not a new deck, but a new edition of an already existing one, the SKT.
I have not yet arrived at a decision on coloring. Do I want it in sepia? Grayscale with accents of colors? Full color via digital applications? I don’t have any answers. I’m going to give all of the above options a few tries, compare, and see which path is right for SKT the Third.
The images in this post are sepia-toned only because my first order of business is to produce both a black-and-white and also a sepia-toned set of base images to work from. That way I can tinker with both and see which I want to work with when creating the full deck.
While so many of us are still sheltered in place during the pandemic, I’ve noticed a spike in interest for creating a tarot or oracle deck and selling it. This is particularly relevant to artists and spiritual creatives who are looking into a stream of income that might help them stay afloat through uncertain economic times.
For you, we’ll talk numbers in self-publishing vs. traditional publishing. If this subject matter is really of interest to you, then read on. Don’t just watch the video, because I left a lot out of that video, which I’ll get to in this companion post.
Although the First Edition black and white and second Vitruvian Edition sepia-toned Spirit Keeper’s Tarot decks are now out of print (forever, as they were both limited edition decks), for those interested, you can download a 30-card version of a black and white Vitruvian. These are the Majors only, with only The Initiate card as Key 0, plus the 4 Aces and the 4 Archangels (tarot Kings).