Reading with the Livre du Destin (or Book of Fate)

A while back I shared zip file downloads of the above deck here. I called it the Petit Etteilla, because that’s what it was called on the British Museum page that I got the images from. And then much smarter cartomancy community members pointed out that it’s actually a deck called the Livre du Destin, or Book of Fate.

Edit: Changed Card 30 to “Gossip” in the downloadable zip file. Made more sense than “To Admonish.”

My physical copy of the Book of Fate printed via makeplayingcards.com arrived and I thought it’d be fun to update you on how I read with this 33-card deck (supposed to be 32-card but I added that 33rd “Etteilla querent” card back when I thought it was a Petit Etteilla deck…oops).

I made my own English version of the deck but I didn’t share it publicly because I took some sweeping liberties with the “translations,” if one can even call it that. =)

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Petit Etteilla, Paris: H. Pussey, 1860-1886 (32-card piquet pack download)

What we call the “Petit Etteilla” refers to a class of 32-card piquet decks for cartomancy based on Etteilla’s 1770 text, which used the courts (Kings, Queens, Jacks), Aces, Tens, Nines, Eights, and Sevens from a playing card deck. To the 32-card pack, Etteilla added a 33rd card called “Etteilla” to designate the querent. And thus he proposed that the original Egyptian tarot pack consisted of 33 cards.

UPDATE: I referred to this deck as a “Petit Etteilla” because that’s how the British Museum referred to it. However, one of our community’s preeminent tarot historians, with a particularly vast amount of knowledge on the Etteilla, John Choma, came back with some clarifications.

This is not a Petit Etteilla deck, but an unrelated deck called the “Livre du Destin” (or Book of Fate), created some time in the mid-1800s. You can check out a few historic examples (thank you, John, for the links!): here (M. Violet, éditeur), here (Le Livre du destin), and here. These images are also notably similar to other 19th-century oracle decks like the 53-card Sibylle des Salons and the 36-card Petit Cartomancien.

This download of Petit Etteilla card images, courtesy of the British Museum, is the edition published between 1860 and 1886 by Jean-Henri Pussey in Paris, France. The originals were 70 mm x 111 mm, hand-colored etchings on pasteboard.

Petit Etteilla

(Originals, 70 mm x 111 mm)

CLICK ON LINK TO DOWNLOAD ZIP FILE

If you’re savvy with digital photo editing and graphic design, then work directly from the 70 mm x 111 mm originals, and format the layout design to your personal preferences.

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I Ching Oracle Cards with AI Generated Art (Free Download)

I’ve been maybe a little bit obsessed with AI generated art apps, though not just because of the pretty art. Rather, my fascination comes from the way such AI generated art shifts my former paradigm on the mind-soul relation. Does an AI really lack soul? That’s the question I’ve been kicking around in my head.

After my blog post on How Do We Value Art? What AI art means for tarot and oracle deck publishing, one recurring sentiment expressed in the comments section on Instagram and Facebook was that the art created by an AI lacks soul, whereas art created by humans reflect the artist’s soul, and that is why human-created art is superior.

Really? Because I’m not convinced.

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Download My Art Study Journal

A while back on my Instagram feed, I shared photos of my 2020 art study journal. Now here’s the whole thing, though it’s still just a slim and sparse booklet.

I kinda didn’t wanna share this because it’s so, ew, a hot mess, disorganized, and you can even witness my mood changes as my handwriting teeters from neat and meticulous to hasty and illegible.

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SKT Pre-Orders Update and Some More Good-to-Know Tidbits

Deck Delivery Dates: Shipping Begins October 7, 2021

Printing and production completed on July 21, 2021. You might recall from an earlier update, the projected completion date I had gotten from the factory was July 19 at the latest. So we are running behind schedule.

2021 SKT Revelation Box Design

The decks then had to go through one final quality assurance check at the factory before it’s packaged and prepared for overseas shipping. The shipping time is between 45 and 50 days.

We’ve been assured by our factory that the decks are shipping out this week, but as of this precise moment that I’m typing, it has not been shipped out yet. Just to keep the numbers and projection on the conservative side, let’s assume the factory isn’t ready to ship until Friday, which means it actually ships next Monday, August 3. Sigh. Okay.

We’ve been told shipping by sea takes 45 to 50 days. If it arrives in port on the 45th day, it’ll be on US soil on September 16. If it’s the 50 day mark, then that’s September 21.

It then has to go through US customs. The last time we went through US customs for a large shipment was pre-pandemic, and it took about 7 to 10 days. I heard from other business owners who import goods that right now it’s closer to 14 days.

So let’s just assume my shipment arrives on September 21 and takes 14 days to go through US customs. We’re now looking at actual receipt of the decks around October 5.

Continue reading “SKT Pre-Orders Update and Some More Good-to-Know Tidbits”

Divinity Blessing Cards & About Packing Favors (Deck Creator’s Notes & Commentary)

Buddhist Divinity Blessing Card

You can download these printable 2.5″ x 3.0″ divinity blessing cards. High-res 500 dpi JPGs to follow.

The first set is Buddhist: Maitreya, bodhisattva of loving-kindness and Kuan Yin, bodhisattva of mercy and compassion.

Kemetic Divinity Blessing Card

The second set is Kemetic: Thoth (Dhwty or Tehuti), the Egyptian god of knowledge and writing, and Isis (Ese or Ast), goddess of magic.

Then I’ll chat a bit about deck packing favors, for the prospective indie deck creators who might be interested in my notes and commentary on the matter.

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SKT III Production Status Update

SKT Revelation Production Status Update: Short Version

  • We’ve sent the down payment to our printing company and commenced the production process, but–
  • First we’re doing a test print for the final confirmation of color, the packaging, and also to see how the coloring looks with the selected cardstock and finish, which we estimate to take about 2 weeks to complete, and–
  • After hundreds of drafts and flip flopping between different options, I’ve finally selected a card back design.

SKT Revelation Production Status Update: Long Rambling Version

Let’s talk about what a Journey (*dies*) creating the card back design for this third edition deck was!

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SKT III Production Status: More Test Prints

Eeks. RGB to CMYK conversion was not the issue. In my previous post on this matter, I showed you the digital files I converted from the RGB to CMYK. This is now the test print of what the conversion to CMYK looks like.

Fun tip: since I’m ordering this deck to check color, I tried to optimize my resources and time by printing lots of different versions for the card back options I was entertaining. This way in one fell swoop, I can determine which design, which color saturation, values, brightness, etc. to go with.

In the above photo, you can see how I printed out many variations of that double vajra bluish card back design, at different color saturation and brightness levels to see which one I would like best.

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SKT III Status Update: Color Values and Saturation Issues

Just a quick update on SKT: The Revelation edition. I’ve now gone through two test prints of the deck to check color issues. We haven’t even gotten to the test runs for checking cardstock, finish, etc. We’re still on color.

Nonetheless, the pre-order newsletter e-mail will be sent out on the morning of March 20, 2021. One way to check whether the pre-order e-mail has been sent is to check the newsletter archives, linked here.

Even though the photograph of the cards is unfiltered and as-is, I think something about the way it’s translating digitally masks the problem that is all too glaring in real life: the color values are just a smidge on the dark side, and there isn’t enough contrast, so you end up with very slightly blurred images.

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Why is a Card Back Design So @#$%&* Difficult?!?

I’ve been getting my ass handed back to me every time I try to draft a card back. The above three are the most recent attempts. Left and center ones are way too busy, even for busy-body me, and although the right one above isn’t quite there yet, it’s promising. I can probably work out the details.

In the above snapshots of design elements, for each, I hand-drew a quarter of what you’re seeing as the image. After drawing in that quarter, I create a mirror image of it and attach it to its side to create a half. Then I create a flipped image of that half to create the whole.

It’s so satisfying to me to watch it blossom into the final ornate image. =) Because the quarter that you actually draw is– ehh– I mean, it’s lovely, but nothing crazy, right? And then you mirror, flip, and suddenly, whoa!

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