Egyptian Gods and Goddesses (1870), 12 Prints

Download zip file:
Twelve Ancient Egyptian Deities

These twelve images are sourced from an 1870 publication, Bilder-Atlas – Ikonographische Encyklopädie, a multi-volume compendium of reference books in German. The images are formatted to print at 5.0” x 7.0”, but the resolution isn’t the sharpest. Nonetheless, they still printed okay.

Oops! Please ignore the typo.

After you unzip the file, you’ll see four folders for four different versions of the twelve images. I’ve included the originals, a version where I converted the images to a warmer sepia tone, then two versions with borders for printing.

I’m sharing the files here for those who are fascinated by these sorts of finds.

If you want about 3 mm of patterned border to show and you’re using makeplayingcards.com to print your deck, then go with the 6 mm margin files.

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Kuan Yin art print with Great Compassion Mantra dharani

Click on the above image file to download and use freely (but reverently, please). The image file is in 400 dpi and should print okay at 9.5 inches x 9.5 inches. So don’t go much larger than that, but you can go smaller. Actually 11″ x 11″ should still be fine.

All the extra border is to allow for bleed margins.

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DIY your own SKT study journal

click to download high-res 4 MB journal cover (back and front), for spiral-bound production

If you have MS Word, then you can use all the templates in this post to create your own spiral-bound tarot journal keyed to the Spirit Keeper’s Tarot.

Convert your final document to PDF and upload it onto a third-party print-on-demand publishing site like Lulu.com.

The above cover design is for 6″ x 9″ trade paperback size journals, spiral bound.

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Reading with the Livre du Destin (or Book of Fate)

A while back I shared zip file downloads of the above deck here. I called it the Petit Etteilla, because that’s what it was called on the British Museum page that I got the images from.

And then much smarter cartomancy community members pointed out that it’s actually a deck called the Livre du Destin, or Book of Fate.

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Petit Etteilla, Paris: H. Pussey, 1860-1886 (32-card piquet pack download)

What we call the “Petit Etteilla” refers to a class of 32-card piquet decks for cartomancy based on Etteilla’s 1770 text, which used the courts (Kings, Queens, Jacks), Aces, Tens, Nines, Eights, and Sevens from a playing card deck. To the 32-card pack, Etteilla added a 33rd card called “Etteilla” to designate the querent. And thus he proposed that the original Egyptian tarot pack consisted of 33 cards.

UPDATE: I referred to this deck as a “Petit Etteilla” because that’s how the British Museum referred to it. However, one of our community’s preeminent tarot historians, with a particularly vast amount of knowledge on the Etteilla, John Choma, came back with some clarifications.

This is not a Petit Etteilla deck, but an unrelated deck called the “Livre du Destin” (or Book of Fate), created some time in the mid-1800s. You can check out a few historic examples (thank you, John, for the links!): here (M. Violet, éditeur), here (Le Livre du destin), and here. These images are also notably similar to other 19th-century oracle decks like the 53-card Sibylle des Salons and the 36-card Petit Cartomancien.

This download of Petit Etteilla card images, courtesy of the British Museum, is the edition published between 1860 and 1886 by Jean-Henri Pussey in Paris, France. The originals were 70 mm x 111 mm, hand-colored etchings on pasteboard.

Petit Etteilla

(Originals, 70 mm x 111 mm)

CLICK ON LINK TO DOWNLOAD ZIP FILE

If you’re savvy with digital photo editing and graphic design, then work directly from the 70 mm x 111 mm originals, and format the layout design to your personal preferences.

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The Corpus Hermeticum / Divine Pymander (text download)

I’m currently reconstructing an Etteilla tarot deck, and as part of my process, I’m deep-diving into the Divine Pymander (one version of the Corpus Hermeticum) because Etteilla was reportedly obsessed with the Pymander and gave that text a great deal of sacred authority.

And so to do a proper Etteilla deck, I thought I had better get myself familiarized with this text that he personally placed so much importance on.

(Kinda like how, in order to get into Eliphas Levi, I had to first get into the Key of Solomonhyperlinked Key of Solomon will take you to a free text download)

So I compiled the 1650 Everard translation of the Divine Pymander and the 1906 Mead translation of the Corpus Hermeticum tractates together into a book for convenient referencing. These texts date back to the 2nd century AD, if not earlier, and are discourses in the form of Socratic dialogues on the nature of God (divinity), humanity, the mind, alchemy, and astrology. You’ll also find a lot of crossover with Gnostic doctrine.

As far as I can gather, the Pymander and the body of texts referred to as the Corpus Hermeticum are the same, except there are more tractates, or books, in the Pymander than there are in Mead’s 1906 translation of the Corpus Hermeticum. Since both are included in this compiled book, you can do your own due diligence. In this text download, I’ve also included a few inserts from the Nag Hammadi discovered in 1945 and now added to the Hermetic corpus.

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72 Shemhamphoras (Shem) Angels, Tarot Correspondences; Tetragram of the Zohar

Sorting through the mess of files I have on my computer drives and found this. I think I shared these in a past Bell’s Newsletter. It’s excerpted from the textbook for the Western Witchcraft I: The Fundamentals course. References in this free handout to other chapters, etc. are because this is just an excerpt from that textbook.

72 Shem Angels, Tarot Correspondences & the Tetragram of the Zohar

Click Me to Download the PDF

Click Me to Download the DOCX

Posting to the blog just so it’s up on this website and available.

I Ching Oracle Cards with AI Generated Art (Free Download)

On AI Art

  • 2021 Dec. 5, How Do We Value Art? What AI art means for tarot and oracle deck publishing
    • Playing around with wombo.art
    • Is AI art indistinguishable from human-made digital art?
    • What principles determine great art?
    • Socratic & Platonic philosophy on art
    • Taoist & Confucian philosophy on art
    • Art composition: design theory
    • Disegno (Italian Renaissance)
    • Confucianist aesthetics
    • AI’s creative process vs. human artist’s creative process
    • Is AI doing a better job than humans?
  • 2021 Dec. 6, I Ching Oracle Cards with AI Generated Art (Free Download)
    • Having fun with AI generated art apps
    • AI art doesn’t “lack soul”
    • Who is the creator when it’s AI art?
    • Free download of I Ching oracle cards (AI generated art)
    • Zip files of all downloadable image files for hexagrams
  • 2022 Sep. 14, AI Generated Art + Tarot and Oracle Decks with AI
    • Personal dabblings with AI art
    • Does AI art lack soul?
    • Rising popularity of AI generated art decks
    • AI art won’t replace fine art (but may impact illustration)
    • What artists are saying
    • IP implications of AI art
    • Valuing AI generated art
    • More of my thoughts

I’ve been maybe a little bit obsessed with AI generated art apps, though not just because of the pretty art. Rather, my fascination comes from the way such AI generated art shifts my former paradigm on the mind-soul relation. Does an AI really lack soul? That’s the question I’ve been kicking around in my head.

After my blog post on How Do We Value Art? What AI art means for tarot and oracle deck publishing, one recurring sentiment expressed in the comments section on Instagram and Facebook was that the art created by an AI lacks soul, whereas art created by humans reflect the artist’s soul, and that is why human-created art is superior.

Really? Because I’m not convinced.

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Download My Art Study Journal

A while back on my Instagram feed, I shared photos of my 2020 art study journal. Now here’s the whole thing, though it’s still just a slim and sparse booklet.

I kinda didn’t wanna share this because it’s so, ew, a hot mess, disorganized, and you can even witness my mood changes as my handwriting teeters from neat and meticulous to hasty and illegible.

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