I’m writing this post mostly for my own benefit because I get the question asked so often and I’m kind of getting to the point of laziness where I dread typing and rehashing out my answer. Now in the future I can link to this post.
Everything I share….everything…is set with the intention, the hope, and aspiration that if you’ve found it, resonate with it even when it’s not your culture or even anywhere close to what ordinarily enters your personal path and craft, that you will nonetheless feel an untainted, anxiety-free freedom to integrate it into your path.
Some of you are familiar with the Tinkering Bell video series already. This page is a consolidation of all episodes so that you can work through the materials as a free comprehensive practica on esoteric craft. Each video and accompanying text below is one practicum for you to work through. In other words, there’s a “homework assignment” for you to do after each episode.
I’ve designed this series to be a collection of practical applications of craft for you to actually try out. Take notes during your process to document your own methodologies and also your impressions of the craft. When you’ve finalized something that works for you, take the time to add it to your personal grimoire.
In the links provided to each episode’s instructional page, you’ll find one section titled “Homework: Your Practicum.” That is where you’ll find the recommended practicum to try out for yourself, based on the material covered in the episode. All written content and reference files are also provided so that you can write out a comprehensive page or page spread in your own grimoire after each practicum.
The Seal of Changes is a template for crafting 64 talismanic sigils that harness the 64 powers encoded into the I Ching: Book of Changes. In this practicum video, I’ll share with you my favorite one: the Seal for Raising an Army based on Hexagram 7.
This work is dedicated to the public domain.
Download the blank template for the Seal of Changes:
If you want to fully understand how to operate the Seal of Changes for controlling the 64 powers from the I Ching, then you’ll first need to understand the 64 hexagrams of the I Ching and some of their metaphysical and occult correspondences. A great place to attain a solid foundation to that regard is my “I Ching and Practitioner” course, which you can find and order below.
Chinese moon block (Jiao Bei, 筊杯) is a form of divination that you’ll often find at Taoist or Buddhist temples. There may be a dish of moon blocks by the altar and the purpose is for you to ask your question to the deity venerated at that site, then throw the moon blocks for a yes or no answer. They’re used to communicate directly with gods and spirits. The traditional perception here is unequivocally that of divine communion.
Predecessors to the moon blocks are covered in the video, from the tortoise shells to the clam shells. I also instruct on how to clean out two clam shells from your next seafood dinner and ritualize them in preparation for divination uses.
Priests, priestesses, shamans, and witches, in particular witches from those cultures who lived by the seas, would use clam shells (or small tortoise shells) for divination.
Eventually, the concept evolved into the red moon blocks that are commonplace today. They’re one of the oldest forms of Chinese divination, alongside the I Ching, though throughout history, have taken many forms.
This video practicum teaches you how to divine with moon blocks (or clam shells, tortoise shells, etc.) and how to consecrate and empower a set to become used exclusively for divinatory purposes.
Supplemental Handouts
The following ritual instruction is for charging and empowering your divinatory tool, specifically your moon blocks, to be used for spirit communications. The instructions can be followed for either clam shells or tortoise shells.
Your Divination Cheat Sheet is a quick reference guide for the meaning of each divinatory result from your moon blocks. Alternatively, if you opt to use clam shells or tortoise shells instead, an interpretation guide is provided for both as well.
If you’re feeling enthusiastic about traditional moon block divination, then you might be interested in buying your own set of moon blocks. You can often find international sales of these through E-Bay or Etsy.
My general personal recommendation, if you are buying it international, is to source from Taiwan. Broadly speaking the Taiwanese tend to be more superstitious and religious about these things, and so they are going to be more attentive, more thoughtful, and craft-wise, more serious about their moon block production. Culturally, mainland China is more atheistic and capitalist-oriented, so just in terms of probability, you’re not as likely to find a seller who is actually a practitioner of craft.
Homework: Your Practicum
Following each installment of the series will be a suggested practicum, or homework, for you to try out. Homework material presumes that you are an occult practitioner who is working on developing your craft.
Craft Your Own Moon Block Set: I say “moon block” for convenience of reference here. You can use clam shells (probably the easiest for most people to source) or empty tortoise shells (if that’s something you have access to). Even if you decide you really like the red wooden moon blocks and end up buying a set for yourself, I recommend crafting your own divination set because the process of crafting your own divination set from scratch is insightful on its own merits. You can even cut two cross-section slices of a thick branch for two disks to be used. Paint one side one color to represent yin, and the other side a contrasting color to represent yang. Or find two flat, rounded stones of about equal size and inscribe the two sides to symbolize yin and yang. Then follow the “Empowering Your Moon Blocks” reference guide provided above to consecrate and charge your divination set for divine communion.
Grimoire Reference Page: Before you memorialize this divination method in your personal grimoire, work with the method first. Take some time to try different approaches to the method first, such as crafting your own moon block set, trying different materials, from the clam shells to wood disks or stones, etc. Your creativity is your only limitation. If you really want to get your hands on the red moon blocks, then do so and work with that for a few moon cycles. Finally, once you’ve got a personalized hang of the process and how it operates for you as opposed to what I say in this tutorial, log your divination how-to in your grimoire. Be sure to take notes during the video lecture on the historical and cultural background of the divination method and include those in your grimoire as well for context.
In this episode, I answer a question that was presented to me: Can a non-Asian craft and sell Fu talismans to the public?
I recorded the video rather on the fly on the same day the question was presented to me, and didn’t fuss over my face before recording, so now in retrospect when I see the video, I cringe. Ugh. This is what happens when you don’t check your hair or makeup (the eyeliner was already smudging after a long working day) before you hit “record.”
The Fu talisman is a form of Chinese sigil magic that dates back to 400 BC and was later integrated into Taoist mystery traditions around 100 AD. If you’re not familiar with what a Fu talisman is, check out the below links:
“Poison magic” is the English translation for a tradition of black magic, or malevolent spell-crafting, found in Chinese witchcraft and Taoist sorcery, called Gu Dao (蠱道) or Gu Shu (蠱術) [Long form: 蠱道巫術 or Gǔ Dào Wū Shù]. You might also find it translated as Ku.
Those who have read Chapter 13 from The Tao of Craft know my stance on so-called white magic versus black magic, i.e., energy work inherently is neither good nor evil, but it is the intentions that humans put into the work that we may categorize as either good-intentioned or evil-intentioned.
Thus, it is important to note here that Gu Dao is not necessarily evil-intentioned. The tradition of Gu Dao, or Ku, is multi-faceted, nuanced, and complex, which I hope this video will be able to expound upon.
Plus. What better way to talk about baneful magic than through a campy Tinkering Bell video? Exactly.
In my world view, it’s important to start occult study with the elephant in the room. I don’t understand why practitioners would wait until the very end to cover malevolent spell-crafting or not even address it at all. Not addressing it doesn’t change the fact that it exists. Better to address it head-on, with eyes open, get yourself informed, figure out what your own bright line ethical boundaries are, and then continue on your course of study.
Following each installment of the series will be a suggested practicum, or homework, for you to try out. Homework material presumes that you are an occult practitioner who is working on developing your craft.
Your Code of Ethics: Take this opportunity to reflect on your own code of ethics when it comes to craft. Where do you draw the line when it comes to baneful magic? While I am a strong proponent that all practitioners learn as much about metaphysical craft and occult study as they can, including aspects of craft they might not necessarily agree with as a form of personal practice, I also advocate that you draw bright lines for yourself, write down what those bright line rules are, and then never cross them. For reference, also consider watching two Bell Chimes In videos: (1) Curses and Baneful Craft, and (2) Can’t Curse, Can’t Heal?
Three Poisons Karmic Requital Spell: If the three poisonous ingredients I mentioned in the video are ones you can source easily where you live, then use those. Otherwise, take some time to do research on natural poisons and what can be sourced locally for you. During the episode, take notes on the instructions for how to follow the Three Poisons Karmic Requital spell, a form of Ku, or poison magic. Formalize and organize your notes into a comprehensive how-to that you can add to your personal grimoire. Before adding it to your grimoire, research different poisons and include that research as reference material in your grimoire to go along with the Three Poisons Karmic Requital Spell.
This is the third installment of a video series on my YouTube channel called Tinkering Bell where I showcase my personal esoteric tinkerings.
Episode #3 Description
There is a common denominator among mystery traditions across the world that instruct on a perfected way for harmonizing human architecture with deity and with nature. In “Architecture of Sacred Space,” I share with you the basic criteria I follow for ensuring a sanctified living space.
This is Part 2 of 2 videos on the architecture and design of sacred space. Part 1 covered harmonic resonance. Part 2 (Episode #3) will cover magnetism, orientation, water, and anchoring. In touring each of these fundamental principles, we also touch down into feng shui, spell-crafting, and so much more.
This is the second installment of a video series on my YouTube channel called Tinkering Bell where I showcase my personal esoteric tinkerings.
Episode #2 Description
This is Part 1 of 2 videos on the architecture and design of sacred space. Part 1 (Episode #2 in the series) will cover the first of the five fundamental principles: harmonic resonance.
Whether you are designing the blueprints for a church or temple, seeking out a home and living quarters that will be empowered as sacred space, or setting up your altar, “Architecture of Sacred Space” from the Tinkering Bell series will cover the five fundamental principles for constructing sacred or sanctified space.
There is a common denominator among mystery traditions across the world that instruct on a perfected way for harmonizing human architecture with deity and with nature. In “Architecture of Sacred Space,” I share with you the basic criteria I follow for ensuring a sanctified living space.
I’m starting a new video series on my YouTube channel, called Tinkering Bell. I’m Bell (or at least that’s what people who can’t seem to pronounce “Benebell” call me) and throughout these videos, I’ll be showcasing my metaphysical and esoteric…tinkerings. Hence, Tinkering Bell. The videos are going to be practicum-centered tutorials that share my particular idiosyncrasies in the Craft.
This is the first installment of the series, on expelling malefic attachments.
Episode #1 Description
When I say “expelling malefic attachments,” I’m keeping that terminology overbroad to cover a lot of different ground. If you’re feeling energetically weighed down, unduly influenced in a way you intuit yet can’t explain and it’s been detrimental to you, or you’re sensing atrophic, less-than-positive vibes around you that you’d like to get rid of, then consider trying what I do for myself: a fifteen-day integrated self-cleanse.
This total mind, body, and spirit self-cleanse is meant to eradicate any string of bad luck, negativity in your life, remove hexes, exorcise unwanted spirit attachments, neutralize the evil eye, and detox from what Chinese feng shui masters would call poison arrows.
Psst…these are not pics of the underworld. These photos are from Lava Beds National Park in California. You need to visit there sometime.
Someone in my “I Ching and the Practitioner” course asked about Chinese dreamworking. Though delving into the subject fell a bit outside the scope of the I Ching, I thought it’d make an interesting closed-circuit blog entry.
My mother’s specialty is dreamworking and oneiromancy. She works primarily through the realm of dreams. Allegedly. The lawyer in me, I think, or maybe it’s just the enduring skeptic, feels compelled to add “allegedly.” This rambling does not come from a place of personal expertise, because I’ve always been the opposite of my mother. I am not a dreamworker. I would say I don’t dream at all, or at least I rarely remember my dreams. I don’t receive prophecies, divination, or forecasts of any kind through my dreams. No–that’s not entirely true, but it’s true enough for me to assure you that I am no expert. So I’m speaking from a point of neutral, outsider observation, as the daughter of a shamanic dreamworker.
By the way, she would never identify herself as a shaman. She doesn’t use anything to identify herself. Others, however, when she isn’t around, or when describing my mother, may use certain terminology. But she would never call herself anything other than “wife, mother, daughter” those kinds of titles. I’m the one taking the initiative to say “shaman” because it’s descriptive of what she does. You’ll see what I mean.
benebell wen 