Selling Fu Talismans

In this episode, I answer a question that was presented to me: Can a non-Asian craft and sell Fu talismans to the public?

I recorded the video rather on the fly on the same day the question was presented to me, and didn’t fuss over my face before recording, so now in retrospect when I see the video, I cringe. Ugh. This is what happens when you don’t check your hair or makeup (the eyeliner was already smudging after a long working day) before you hit “record.”

The Fu talisman is a form of Chinese sigil magic that dates back to 400 BC and was later integrated into Taoist mystery traditions around 100 AD. If you’re not familiar with what a Fu talisman is, check out the below links:

The book description for The Tao of Craft (linked here) offers some insights into what a Fu talisman is. On the page of Fu talisman instructables (linked here), you’ll also find images and examples what some Fu talismans look like.

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The Tao of Craft: In Stores Now

Check out the “book trailer” I made by clicking above. Or just read below. I put book trailer in quotes because it’s not really a book trailer in the standard sense, as you’ll see.

After Holistic Tarot, I went to work on a book about feng shui. One of the chapters covered feng shui cures, and a common feng shui cure used in East Asian households is the Fu talisman. Growing up in the Western world, I’ve always laughed a little at the Fu talisman. It’s treated like a panacea. Bad feng shui? No problem– Fu talisman. Need a promotion at work? Fu talisman. No luck in finding love? Fu talisman. Weight loss? Yep, Fu talisman. And, of course, there’s also the fantastical–exorcisms and conjurings. How do you summon a demon, repel a hungry ghost, or invoke a tree spirit? Well, the same way you find love or lose weight, silly– a Fu talisman.

Needless to say, I’ve come to realize that’s not quite the right characterization of the Fu. Those would be, yep you’ve guessed it, common mainstream misconceptions of esoteric Taoist practices. In fact, the more I delved into the Fu, the more these centuries-old texts satiated my inner nerd. Not only were the alchemists and ceremonial magicians that thrived thousands of years ago deliberate, precise, detail-oriented, and thorough, much of it resonates closer to modern science than one might presume, though the vocabulary has changed. In The Tao of Craft, many of the end notes cover these parallels. The deeper I went down the rabbit hole of historic research (and experiential practice), the prouder I felt about being who I was, descending from the lines I descend from, and feeling a genuine affinity for my heritage.

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