Oh gawd I love this deck…!!
When I first saw the Prisma Visions tarot by James R. Eads, I knew I wanted it. Then after I learned more about it, the continuing narrative of the Minor Arcana cards forming four long, exquisite landscapes, and the bold symbolist-surrealist imagery in the Major Arcana, I knew I had to have it.
I love the bordered Majors juxtaposed with the borderless Minors (shown later). Eads’ art here is a contemporary tribute to French Impressionism and Post-Impressionism, calling to mind Monet, Renoir, Van Gogh, and even some Degas. You can view all the images on the Prisma Visions website, here, though I’ll provide some samples in this review.
I love the flip top box and pretty much the design for every part of this deck and its packaging.
You have a modernized all-seeing eye on the card backs, and while the card backs are not reversible, I still read with reversals when using this deck.
The gilded silver edges are an exquisite detail. You’ve got a thick, heavy, and durable cardstock here, so the cards are thicker than traditionally published tarot decks. I do love the thicker cardstock. There is a semi-gloss finish to the cards. It’s not the full on glossy of, say, typical Hay House oracle decks, and it isn’t the papery matte finish that I tend to prefer.