I’m going to walk you through an easy beginner’s methodology for I Ching and tarot divination. We’ll be doing a simple one card tarot draw plus casting I Ching hexagrams by the coin toss method. So in addition to the instructions here for the I Ching divination, I’m presuming you have a tarot deck and know how to operate one. If not, no worries. This doesn’t need to be I Ching and tarot. It can just be I Ching! 🙂
I use traditional coins for my personal practice, but we won’t be needing those today. Any three coins of the same value in your change purse will do. Go find three pennies, or three nickels, or three quarters–whatever pleases you. And give them a good wash.
Here I’m using disinfectant soap and water. Dry them thoroughly. You can use a towel. Anything. Just be practical.
Going Beyond the Little White Book: A Contemporary Guide to Tarot was published in 2016 and is one of the best and most readable Tarot 101 books I’ve come across. It’s the book I’d give my sister, along with a tarot deck, if she asked me for a book that will teach her tarot.
(True story: Actually I gave my sister a copy of my own book, Holistic Tarot, but she never touched it and now it collects dust. When I called her out on that, she defended herself by saying she just wanted to know what the Three of Cups means when she pulls it for a question about a guy she’s dating and she isn’t out to earn an advanced doctorate degree in tarot or become the next great tarot master. Ergo, a more palatable and practical guide to the tarot is needed, such as Going Beyond the Little White Book.)
Going Beyond the Little White Book is by Liz Worth, a Toronto-based author, tarot reader, and astrologer. She’s also published previous works of nonfiction (specifically on the Toronto 1970s punk scene), fiction, and poetry. Worth brings that command of language to explaining how to read tarot. It’s incredible. She’s such an incredible writer and it’s a treat to have someone like her teach tarot in a comprehensive, meaty, yet easy-to-read, user-friendly manual.
The deck pictured in these photographs is the 2014 version produced by Devera Publishing. It comes in a beautiful full-lid lift top glossy box of high quality and the cardstock quality is great. Love that the accompanying guidebook fits inside the box and contains a wealth of tarot card meaning insights, many that would add to your compendium of tarot knowledge. The guidebook here is not just a rehash of the same old card meanings. There is a lot here specific to the symbolism on the deck and how that symbolism and manifestation exemplifies the traditional card meaning.
In a social justice law course I took back in my law school days, the professor went around the room on the first day of class and asked each one of us to offer what we think brings about social change in this world. A classroom populated by, um, well, white folks, offered thought bubbles like grassroots mobilization, advocacy, charismatic leadership, lobbying, equal access to justice, public policy, etc. Funny, I was thinking about it from a different perspective.
When it was my turn, I said, “Pain.”
Pain is not only the impetus for social change, but it is the impetus to greatness. Profound feelings of marginalization lead to zealous advocacy on behalf of others. Even when your pain looks different from my pain, the common emotional denominator between our pains is the same, and through that common emotional denominator, you and I can connect, create an incredible, powerful fusion, and together, through collectivism, become the impetus for social change and for mutual greatness.
A friend gifted me with the Pagan Otherworlds Tarot and Guidebook, believing I’d love this deck, and boy was she right! This deck is currently the darling of the tarot community. Everyone is just fawning over and crushing on it.
Let’s start with the Guidebook, Tarot: Notes From the Pagan Otherworlds. It’s perfect bound, a beautiful compact square size, and features the Page of Cups.
I’m so thrilled to have the companion guidebook. It does an incredible job explaining the deck creators’ rationale for depicting the various cards as they have done, e.g., in this deck, the Nine of Swords is the card of transformation, so on it is depicted a swan, symbolic of the struggle this deck’s Nine of Swords represents–the struggle of coming into your own. This deck’s Nine of Swords is one of the most exquisite Nine of Swords I’ve come across.
The deck and guidebook together would be an incredible gift and starter tarot kit for someone just learning tarot. However, the deck is a bit of a mix between the Rider-Waite-Smith structure, placing The Fool first, Key 8 being Strength, and Key 11 being Justice, as you’ll see in subsequent photos in this review, but features unillustrated pips (meaning no narrative imagery on the pip cards), reminiscent of Tarot de Marseille.
When you’ve dedicated yourself to the study of craft, you’re going to want to start your own written record of the path. It is the most natural thing and the concept of keeping a grimoire, book of shadows, or book of methods is found across all of the cultures of magical traditions, East to West. Now it’s your turn to feel that pull. You’ve got your big, beautiful blank book ready to go. Where do you start? How do you start?
By its nature, a private journal means no one can tell you what to do. Yet some of us just want tangible insights for inspiration, so that’s what this is. I’m most certainly not trying to tell you how to keep your own private journal. My own grimoire does not come close to following the instructions I am about to give.
Yet the other day, I was thumbing through a rather incredible tome, quite esoteric in nature for sure, and that tome offered some of the most brilliant insights into grimoire organization that I have ever come across. So I shall share that text with you today.
That’s right. It’s The Professional Chef by The Culinary Institute of America.
Okay, it’s a cooking book. But I swear if you went through this thing you’d agree it’s esoteric as hell. Who knew broth making and a roux could be so complicated. I digress. And I’m serious. This book provides incredible insights into how you might consider organizing and creating your grimoire.
Imagine Keziah Mason, a Salem witch in the 17th century per Lovecraftian imagination, and the tarot deck she would have used for divination. The 2016 self-published Book of Azathoth Tarot is one imagining of what that deck might have looked like. Azathoth is a deity from the Cthulhu pantheon invented by H. P. Lovecraft in his fiction works.
Although largely unknown and unrecognized during his lifetime, H. P. Lovecraft was a prolific writer of horror, fantasy, and science fiction. A driving theme through many of his works was the theme of esoteric knowledge, hidden, dark truths that only the few and the audacious can uncover. And so his fictional world is a perfect setting for the imagination of a tarot deck.
The Book of Azathoth Tarot is the work of an incredible artist who goes by the name Nemo. You can order your copy of the Third Edition here.
Is there any value to making a distinction between fortune telling and divination? How might Chinese perspectives compare to or inform Western perspectives? This free video (or audio) lecture will examine the etymological origins of the words for “fortune telling” and “divination” in the Chinese language, apply medieval esoteric Taoist texts to tarot reading, and propose a theoretical framework through which to read tarot, as either a fortune teller or a diviner, though the two are not mutually exclusive. We will then run a comparative analysis of that with Western perspectives and examine Western esoteric texts on the subject.
The video lecture is about 34 minutes in length. Click on the below to begin watching. Although it is in video form, you can also listen to it as an audio.
An expansion on the talk I presented at the Theosophical Society of the East Bay, this is a video (or audio) course that covers how a practitioner of craft might use tarot, from triggering intuitive creativity for self-empowerment, divination, and amplifying psychic ability to communion with celestial contacts, mediumship, and summonings. This is an intermediate course that presumes proficiency with tarot. Subject matter also runs into esoteric and mystical applications of the tarot, so the tone of the course might not be right for everyone.
Also, just so you are aware: the tenor and value propositions of this course goes in a diametrically different direction from Holistic Tarot.
I’m really excited about this course and I hope you are, too. If you are a practitioner of craft, whether it’s just dabbling, still finding your path, you identify as a witch, magician, diviner, medium, psychic, or shaman, I just know that this course will deepen and enhance whatever amazing mojo you’ve already got going on.
This course is not about teaching tarot. I do not teach you tarot. In fact, I pretty much assume throughout the lecture that you already know a lot about tarot. Rather, this course is about deepening and broadening your relationship with your tarot deck so that you can get more metaphysical mileage out of it.
What Holistic Tarot taught was only the first of the five pillars that are discussed in this course. This course will deconstruct the form and mechanics of using tarot for:
Intuitive Creativity to achieve self-empowerment;
Divination to connect to what Paul Foster Case called the Cause of Causes—the Universal Intelligent Life Energy;
Psychic Readings both to amplify your innate psychic ability and to use tarot as a training tool for strengthening your psychic ability;
Celestial Contacts to connect with deities, angels, ascended masters, devas, or the metaphysical force affecting physical conditions; and
Netherworld Contacts and using tarot for mediumship, ancestral connections, or connecting to entities of nether-worlds and other-worlds.
A workbook with exercises to help you learn and master the mechanics of such tarot operations will also be provided to supplement the video lecture.
Finally, you will have the opportunity to ask questions and the most frequently asked questions will be answered in a follow-up FAQ video that will be sent to you. There may be multiple FAQ videos delivered to you by e-mail from time to time thereafter, dependent on the inquiries that come in.
You will receive:
Online private access to a video lecture [length: 1 hour 15 minutes]
A PDF digital file of a 49-page workbook
Sub-folder files of supplemental reference material
Access to subsequent FAQ video(s) or e-mail(s) [TBD]
The Awakened Soul oracle cards by tarotist Ethony and artist Danielle Mulligan are a treat to behold. It is the divination deck for the modern witch. It is evident to me that these deck creators have called upon the spirit and consciousness of 21st century Gaia and channeled Her messages to us. So much of Ethony’s energy and blessings have been infused into this deck that it’s quite the honor to work with these cards.
Let’s start superficial, of course, with the box. Oh gawd I love the box. I love the matte finish, the sturdiness, the interior bee design, an incredible symbol for how Mother Earth nourishes life by calling upon the services of Her children and a call to each one of us to channel the spirit of the bee in our own endeavors and in how we nourish our society.
Not only have I been using the oracle deck for daily ritual and rumination, but many of the clients I read for have, too. It was quite surprising to me the number of clients I work with who also had this deck, so it was great that they could follow along with their deck when I provided oracle readings with the Awakened Soul.
That’s right. I’ve done professional readings with the Awakened Soul oracle deck. I broke my own rule. As some of you may know, generally I do kind of get elitist and poo-poo use of oracle decks in professional reading sessions. I stick with tarot and as a client, would prefer to go to readers who stick to tarot. Lenormand decks are okay too, but I had avoided the oracle-oracle decks. Yet something about Ethony’s deck called to me, and I really, really wanted to share its energy and power with those I was working with.