My Thoughts on the FTC Disclosure Guidelines for Social Media Influencers (Specifically, Tarot Content Creators)

Random old photo to accompany the commentary. I’m holding the Tarot of the Holy Light by Christine Payne-Towler, which at some point long, long ago I received for free. Do I need to disclose that?

Psst… I have a “TL;DR Short Summary for the Not-Readers” that summarizes this otherwise very long blog post. So if you don’t have the time or you’re only a little bit interested and not that interested, then scroll all the way down to the end for the TL;DR Short Summary.

I’m reviving and sharing a blog post I drafted in 2019 that has sat in my WordPress saved file for the last 3+ years. It’s about FTC-issued disclosure guidelines (“Rules”) for social media influencers, and key takeaways to glean from the Rules if you’re creating content in the Mind, Body, Spirit spheres. I never got around to finishing and posting that 2019 draft, back when the FTC disclosure guidelines first gained traction, but I think now is a good time to reopen the discussion.

What’s of note to me is how the legal minds who are often the ones drafting these Rules seem to be people who have no personal experiences or insights into the communities they’re drafting the guidelines for. Even when they employ subject matter experts, those SMEs tend to be biased, or come from a very particularized segment of the community, and therefore do not fairly represent all interested parties.

There’s consumer protection, which nobody’s against. But then there’s untenable rules of compliance that aren’t clear enough for practical application by the people the rules are demanding compliance from.

By the way, none of this is my legal opinion, and do not rely on it as such. All of this is personal commentary in reaction to the FTC disclosure guidelines as someone who considers herself a deck reviewer but who could potentially be categorized as an “influencer.”

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Lunar Mansions Astrology and the Chinese Lunar Mansions Oracle

The Chinese Lunar Mansions Oracle by Zhong Ling and Wu Xue might be the first of its kind. And with its companion guidebook that details the classical attributions for the 28 lunar mansions, the deck is a great beginner step for learning about this system of Eastern astrology.

This will be both a review of Chengdu Arcana’s Lunar Mansions Oracle and an introductory overview of Chinese lunar mansions astrology.

If you’d like a quick reference handout to download, click here:

The 28 Lunar Mansions (Chinese Astrology)

PDF

The Oracle is a set of 28 cards in a standard finish, typical of mass market decks, though longer and wider than standard tarot card size. The card back design features the four directional animals that are the basis of lunar mansions astrology.

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Eastern Ink Tarot by Zhong Ling, Li Kang, and Sasha Graham

Eastern Ink Tarot was conceptualized by Zhong Ling, a Chinese tarot reader and founder of the Chengdu Arcana Culture Communication Company, the publisher of this deck. She’s also the founder of a tarot school in China, established in partnership with Lo Scarabeo.

Zhong Ling teamed up with award-winning artist Zi Kang, who studied under renowned Chinese masters and trained in traditional Chinese painting styles. For the paintings you see in Eastern Ink Tarot, he sourced his inspiration from ancient books, traditional Chinese culture, and philosophy, specifically the yin-yang school of Eastern philosophy.

Both Zhong Ling and Zi Kang are seasoned tarot scholars, and that’s something I really appreciate from deck creators. They’re passionate and learned about the tarot, and then decided to create a deck. In Eastern Ink, you can see that knowledge come through in which RWS symbols they preserve and where in the art they take creative liberties.

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Workshopping God’s Reading from Rachel Pollack’s A Walk Through the Forest of Souls

Carolyn Cushing and Jenna Matlin, in collaboration with Weiser Books, are hosting a series of content to celebrate the late Rachel Pollack’s re-release of A Walk Through the Forest of Souls. This is a day-long event for the tarot community, and you’ll find many contributors to this celebration.

Read more about the event in this announcement from Carolyn Cushing.

On May 10, 2023, Carolyn, Jenna, Weiser Books editor Judika Ilkes, and author Mark Horn will be live streaming here between 3 pm and 5 pm Eastern time.

Jenna Matlin and Mary K. Greer will be in conversation about A Walk Through the Forest of Souls here, going live at 8 pm Eastern.

My contribution is a video workshop of a tarot reading prompt:

That is a question presented in the book.

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Gender Discrepancies in Viewership

Data collected from 2023

My interest in this particular consideration piqued earlier in 2023 when I noticed a sharp change in the gender demographics of who views my Yutube channel, which appears to have shifted just as the subject matter of my channel’s content shifted, from being tarot dominant to more I Ching.

Though I don’t have any screenshots to show, back in 2018 and well into 2019, the gender demographics for my Youtube channel was something closer to 20% Male and 80% Female, and that checks out for most of Tarot Tube and witchy content creators, especially among witchy content creators who present as female. I did notice that after 2019 when I started making more Taoist occultism content on the channel, the demographics shifted slightly to 30% Male and 70% Female.

(For clarification, when we say Male or Female, these are per the identifications opted in by the users.)

I didn’t follow the analytics too closely, so I can’t pinpoint exactly when the shift happened, but in early 2023, per the screenshot image above, I noticed suddenly that the demographics were closer to 50/50, which is in fact strange for the tarot and witchy communities and stranger yet for female-presenting content creators like me. You don’t typically see 50/50 demographics for viewership when it comes to tarot and witchy content. There’s typically an underrepresentation of men.

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Reading Your Critiques

In my head I’ve been mulling over a candid video chat I’ve been wanting to make for some time now, but it’s only these last few weeks of stirrings in our tarot community that concretized my motivation to just go ahead and do it. =)

I’ve only chosen one comment to read as an example of a recurring common critique I get, and the three recurring common critiques I’m chatting about in this video are as follows:

  1. I’m pretentious and elitist, and also an opportunist,
  2. My work is imbued with negative, demonic entities and/or I am possessed by or consort with negative, demonic entitles (evil, dark energy, etc., take your pick of descriptive), and
  3. I say insensitive things at all the wrong times (as interpreted from the writings I’ve put out there).

In the video I also reflect on authenticity, the perception of virtual authenticity, and how true, sincere human authenticity will come back to bite you in the ass online, and the only way to appear authentic is to fabricate and manufacture the illusion of authenticity.

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The Urban Incantations Tarot by Lynyrd-Jym Marquez Narciso

This tarot deck is badass. It’s grunge-inspired, urban fantasy, with a John Constantine vibe, and I’m so here for it. The color palette evokes conjured visions set against the shadows of night. Atmospheric, fraught with its air of mystery and dark grit, Urban Incantations Tarot by Lynyrd-Jym Marquez Narciso is like divination with the storyboard stills of a screenplay.

Click on photographic images for enlarged view

Narciso was inspired by the late 90s and early 2000s punk, rock, and alternative music scene. His art in Urban Incantations Tarot is rendered in digital mixed media. The style is cinematic, tense with drama– a brooding neo-noir.

The interminable nightfall, city lights, with scenes so evocative that you can hear the patter of rain and distant thunder. The way Narciso accentuates with smoke, flames, and droplets gives you the sense of an enlivened world, lambent and permeable.

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Transformational Oracle of the Morrighan by Bela Síol

The Transformational Oracle of the Morrighan by Bela Síol and illustrated by Igor Alexandre is a mostly black-and-white illustrated deck with accents of color. The Oracle set is an invaluable resource for anyone seeking connection to the Morrighan.

Bela Síol is a Brazilian pagan priestess and creator of The Oracle of Nehalennia, The Oracle of FreyaThe Oracle of ArianrhodThe Oracle of Venus, and many more. The illustrator Igor Alexandre is a priest and herbalist who explores themes of the occult, nature, and paganism in his art.

As a priestess Síol first connected with The Morrighan in 2009. Morrighan, or Morrigu, refers to the one but also the multifaceted Goddess of Ireland, namely the triad of goddesses Badb, Macha, and Morrigu, and sometimes appearing as the triad of Banba, Fodla, and Eriu. Still others, it’s a triad inclusive of the war goddesses Fea or Nemain.

This all weaves a complex mythology for The Morrigan. Síol’s The Transformational Oracle of the Morrighan is based on the triad of Badb, Macha, and Morrigu or Anand (sometimes Nemain). Each card explores one of the many key lessons connected to The Morrighan.

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Fragments: A Grogryn Oracle by Le Page Novembre

Those who love Renaissance fairs are going to love the Fragments Grøgryn oracle by the artist Le Page Novembre. Novembre describes themselves as “a queer, non-binary, neuro-spicy illustrator and writer” who crafts tarot and neo-medieval art, in the pursuit of “queering catholic imagery.”

They recently launched the brand Grøgryn, an indie sole proprietorship that creates oracles, tarots, and other games. One such artisanal works by Grøgryn is Fragments.

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