Monetizing Mysticism (Here We Go Again?)

I’ll be sharing random snapshots of my witchy bookshelves just because.

I was listening to the podcast (a great one, by the way) Occultish Behavior: The Unholy Hour with Ivy Corvus and Justin Bennett, Episode 4: The Monetization of Magic where Ivy and Justin share their thoughts on paid endorsements, paywalls, charging for online courses, and so much more. They explore a spectrum of opinions, which I think so many of us can resonate with. These are observations I myself have been grappling with, so it was really fruitful to hear their perspectives.

Tangentially related are other recent thought pieces I’ve been enjoying: Thorn Mooney’s “Reflections on Community” and Kelly-Ann Maddox speaking on “Buying the Witchcraft Aesthetic.”

As a collective we cycle back to this subject for conversation every few years. A year ago that #Occultea tag had lots of pagan and witchy content creators addressing social media witchcraft, grifters, aesthetics, consumerism, and gatekeeping. Consumerism in spirituality comes up frequently in the tarot community, which I’ve previously chimed in on here (Tarot Tube and Classism) two years ago, touching on many of the topics Ivy and Justin cover in this podcast episode, specific to tarot social media spaces, rather than the broader witchy/pagan space.

When we monetize the teaching of sacred knowledge, we complicate and maybe even risk committing sacrilege. But if we don’t meet humans where they are and provide monetary compensation, they’re not going to share their work.

For many holding sincere religious beliefs around how they’ve divinely received the sacred knowledge, trying to put a dollar and cents price tag on the value of that knowledge is intuitively icky. And yet if we don’t value that knowledge — and we demonstrate value by paying for it — then these sacred cultural traditions risk going extinct.

It seems like the majority agree that people should be adequately compensated for their work, but also we judge that at some point it’s just greedy, gross, and profane. We don’t want you to starve, but if you get too popular and start selling your stuff for too much, we’ll knock you off your high horse.

It’s funny how an oft-repeated tenet in the artist/creator community is “charge what you’re worth,” except when you do, you get vilified. If you charge a “grotesque” amount of money for your work, you’re perceived as having an inflated ego, and you’ll get accusingly asked, “What makes you think your work is worth so much.” Which also is a silly question to ask, because if the creator is doing business right, then the clear answer is the marketplace. The marketplace has accepted that their work is worth that much. It’s not ego. It’s capitalism. Okay maybe it’s both.

We all agree that some sort of balanced approach is best, but we disagree on what “balanced approach” means. Where do you draw the line and why do you draw the line there? Is charging $30 for an online course on planetary ritual magic okay? What about charging $300? $3,000? You say it depends on the content of that course, but how do we even apply an objective standard for review?

As an author and educational content creator of topics in mysticism, I struggle a lot with what a “balanced approach” means to me. I want to produce diligently researched, comprehensive, substantive educational videos on YouTube, but it’s a lot of work. It’s time-consuming, and at this point in my life, time is very precious. So if I’m going to invest my time and energy into making free educational videos to increase equitable accessibility to sacred knowledge, then I want to be compensated for that work, but how? Do I want money? Initially I think, no, I don’t need money for it. I just need something in exchange to feel like it’s fair, to feel like my investment sacrifice of time was worth it. But what?

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Why the Tarot Community is Facing a Cultural Reckoning

Random photos of my Spirit Keeper’s Tarot deck, Revelation Edition, because I didn’t know what else to use as images for this blogged reflection…

I think it was in 2022 that I first realized what it is I was witnessing: the tarot community as I’ve come to know it was dying, though it was also making way for the rise of something else.

Archangel of Mysteries, Key 13: The Reaper, and The Defector (Eight of Chalices) from the Spirit Keeper’s Tarot, Revelation Edition

The “Dying Internet” Theory

First, tarot trends don’t happen in a vacuum, immune to sociopolitical movements. In fact, we can often tie tarot trends to exactly what’s happening in the global mainstream society. Which is why we’ll start by laying the foundation and address the trending theory of a “dying internet.”

There’s this speculative idea that’s been whispered (or maybe more than whispered as of late) in tech circles here in Silicon Valley about how an organic, people-driven internet that echoes physical society is being replaced by manufactured template content and occupied by bots, more and more being generated by AI rather than written from scratch by a human, resulting in decaying authenticity and homogenization. As they put it, “the internet is dying.” It’s a slow, systemic collapse of feral, original human-authored (can’t even believe we now have to clarify) content being outrun by outsourced content mills, ad-driven clickbait drowning out the authentic individualized voices, monoculture, fake engagement, faked popularity, and more and more paywalls.

The theory isn’t so much saying the internet is dying dying, but rather, the internet as Gen Xers and Millennials have become familiar with is quietly fading away and morphing into something that will be unrecognizable to us. What was refreshingly democratizing about the world wide web is what’s dying.

A “Dying” Niche Tarot Community

I think I need to explain myself here. It’s not that I think the tarot, as a niche interest and esoteric study, is dying or will ever die. That will always reinvent itself and persist. It’s the form of the niche tarot community as those of my generation have known it that’s dying and soon to reincarnate into something we may find unrecognizable.

When the tarot first went online (at least as I recall and per my personal participation) back in the 90s, it was almost entirely conversational. We were discussing tarot, and often in a very nerdy, niche way. We were engaging in dialogue, debating, debunking, sharing, and not merely broadcasting canned information about it.

I feel like discourse used to be more in-depth, whereas now, online content about tarot is keyed to quick consumer consumption, because if you don’t, then your content doesn’t generate high engagement, whereas when you do play the SEO game, your content rises to the top. We’re rewarding homogenization.

And again, this isn’t something that shifted overnight. Any of us who’ve been here a bit have watched it happen right under our noses. Many have griped about it, especially back when the online tarot community was still more conversational. Nowadays there’s no more griping or controversial “drama,” no more raw TMI personal ramblings, because it’s all highly-edited strategically produced vanilla content keyed to generate ad revenue, rather than for sincere interpersonal discourse. The disintegration and morphing into the (to me) unrecognizable didn’t happen like a Tower moment; oh no, it’s been slow, gradual, in a normal wear-and-tear sort of way.

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How Do We Reclaim Space? Challenging the Disproportionate Visibility of White Male Scholars in Indigenous Spiritual Practices

Whew that was kind of a long blog post title.

So here’s my conundrum. Recently I came across a highly visible, highly platformed video on Korean shamanism, by a white male academic. Don’t get me wrong– he did a fantastic job. It’s just that… a part of me does ask the question — why isn’t it an actual Korean shaman or mudang‘s video getting that level of visibility and exposure? Why is it when native practitioners talk about their traditions, their visibility and popularity is a small fraction of the view count that the white male academic gets?

Same goes for YouTube content on Taoism, inner alchemy, or esoteric Buddhism — the channels of white men garner the most visibility and occupy the top-ranking spaces. When it comes to educational content on Taoism and Buddhism, Western scholars overshadow the contributions of indigenous practitioners and Asian scholars. The imbalance has the impact of erasing lived experiences and native expertise, and all insights valued as authoritative are inevitably filtered through a white Western lens.

Worse yet, click into any of the lower-ranking videos on these subjects by native practitioners and skim through the comments section — you’ll find white men correcting the alleged inaccuracies of the native practitioners. Also, funny point — POCs can always spot the white dude in the comments section, irrespective of what profile photo or handle they use.

I call this a conundrum because I don’t have a clear solution — it’s a tension between inclusivity (welcoming all voices and perspectives on my lived tradition) and protecting marginalized voices (when the white male voice and perspective talks over the voice and perspective of the lived tradition). Notice how it’s always a white guy who says he knows the most authentic version of the tradition that is not even his to be authenticating, or how his interpretation of a sacred text that he’s appropriating is more accurate. He hijacks the culture and then positions himself as the expert.

At best, a POC is given secondary, lower-level credit for the purpose of validating the expertise of the white guy standing center stage. Not to mention, a POC voice is only platformed if they agree with the Eurocentric point of view. If a POC expert dare challenge established Western expertise — just watch what happens next.

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Is AI Validating Psychic Ability?

This is here because blog posts need to be accompanied by images, as you very well know. I typed into ChatGPT the following prompt: “Create an image that is an artistic expression of the [__one-word summary of main occupation, e.g., author, attorney, artist, etc.__] [__name__] based on the published works they’re most known for, public persona and platform, and publicly accessible information about this individual.” This prompt might generate text only, in which case your next prompt will be “Create an image that is an artistic expression of [__name__] based on the foregoing analysis and assessment.” Left image is what ChatGPT produced when I used my legal name and profession of attorney; right image is what it produced for the author Benebell Wen.

Long before AI came on the scene, I had already been wondering if maybe psychic ability in humans wasn’t as woo as we thought, and really, it’s just a rare few people’s brains being able to process “big data” they were somehow downloading from a collective unconscious, spot patterns, and synthesize that data in a way that now appears to the average person as predictive or supernatural.

These algorithms that seem to know exactly what we want to see, who we are, our preferences, core identity, innermost wants and values mirror what people often say about psychics and mediums– “She [the psychic] knows me better than I know myself!”

I believe clairvoyance, clairsentience, and claircognizance are simply functions we have yet to fully understand in a clear, practical way. But really at the heart of it, it’s just cognitive science and pattern recognition, much like what powers AI.

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2025 Forecasts; Navigating Uncertainty & Reclaiming Power

[This is a cross-post adapted from my latest newsletter share, which you can find here.]

2025 is poised to bring rapid technological advancements with artificial intelligence, an increasing need for global response to climate change, continued escalation of geopolitical conflicts, and deepening societal faultlines, with much of that all but written in the stars.

Let’s talk about general global forecasts for the year to come. We’ll cover the following:

  • Planetary Year of Saturn, then Jupiter
  • Year of Hexagram 44: Improper Meeting
  • Jupiter in Gemini & Cancer
  • Start of a New Age: Pluto in Aquarius
  • 2025 Tarot Triumph of the Year
  • Navigating Financial Uncertainty
  • Reclaiming Personal Power in Difficult Times

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Trad Wives vs. Girl Bosses; Etteilla Art on the Nine and Eight of Swords

Anyone else notice the intensity of recent conversations swirling around so-called girl bosses and trad wives?

Funny enough, as I nosily listen in on video essays, podcasts, and commentaries, I’ve been sketching the Eight and Nine of Swords from my Etteilla deck.

Now you’re like, wait what does the Eight and Nine of Swords in the tarot have to do with girl bosses and trad wives?

I thought nothing. But the illustrations I seem to have subconsciously done at this time sure are amusing.

Chronologically I worked on Card 56, the Eight of Swords first, which appears to give off girl boss energy, then moved on to Card 55, the Nine of Swords, which one might identify with trad wife.

This blog post is another installment of my Etteilla Tarot art project status updates.

At the same time I thought it’d be fun to pepper in some rambling on this whole trad wives, girl bosses conversation du jour.

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Who’s Afraid of Big Bad Generative AI?

I kind of feel bleh for talking about AI so much, but everyone in every nook and corner of my life, personal and professional, is talking about it, so it’s hard to avoid wanting to chime in.

When you’ve got multiple thumbs in varying (and very different) pies, you’re exposed to a diversity of opinions, and wow is it diverse. If you’re only mingling in liberal arts circles, then you’re not hearing, truly hearing, the discussions about AI happening in the scientific circles, and if you’re only mingling in scientific circles, then you’re not hearing, truly hearing, the discussions about AI happening in the liberal arts circles. And so it’s been interesting hopping from one camp over to the other and back to witness the contrast.

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When the Middle Path Means You Belong Nowhere

Just thought it’d be fun to share some snapshots of how I mark up my copy of I Ching, The Oracle with notes.

Every facet of my disposition – even fate, the cards I’ve been dealt in life – seems to be on a cusp. Astrologically by both Eastern and Western charts I’m a cusp baby. Cultural identity wise, mine is the hyphenated experience. I’m agnostic when it comes to party lines, but you’ll certainly hear the far right calling me too woke, and the far left calling me too trad.

I’m often too structured and austere for the creative arts community and too sensitive, too mystical-leaning for the corporate world. I like agendas, strategic plans, and realistic goal-setting; I value efficiency, utility, and productivity, all attributes that do not go over well with the creative arts community. I also account for unseen influences, trust my psychic impulses, and value empathy, compassion, mercy, softness, vulnerability, and kindness, attributes heavily frowned upon in the corporate world.

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Thoughts on Machine Qi (Soul?) & Drawing The Hermit Card

It’s been a while since I gave an Etteilla deck-in-progress update. I finished working on Card 18, The Hermit, oft named The Capuchin (an order of Franciscan friars) or simply titled with the keyword “Traitor.”

As I was drawing, I got to thinking about the qi in works of art, per the qi of their artists. That in turn got me thinking about the qi of AI and AI-generated images.

Just so we’re clear, no part of my art process includes AI, AI generated images, just– any of that stuff. The most high-tech we get is the capabilities of a 2004 digital painting software that has since gone defunct, so this software program no longer even exists.

But back to the point of this rumination…

If we are to believe in the principle of qi as a force imbued in all things that are sentient or created by sentient beings, then works of art have qi.

In fact, that has always been one of the fundamental factors of valuing art from a Taoist perspective — assessing the qi of the artist’s hand apparent in the art.

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Social Media Witchcraft: Grifters, Aesthetics, Consumerism, Gatekeeping | #Occultea

Random photo inserted here because pretty. Don’t hate the player hate the game.

I’m looking forward to many and different voices adding to the discussion “Social Media Witchcraft: A Community Conversation About the Things That Divide Us” via the hashtag #OcculTea. The hosts are kickstarting the conversation off with these videos from Ella Harrison, Polish Folk Witch, and The Redheaded Witch.

“All members of the occult & witchcraft community – not just content creators or big names, but everybody” is invited to participate in this discussion, with the hope that the hosts might later facilitate a live community panel.

It’s a bit of an unanticipated synchronism that just yesterday I posted my commentary on personal branding pressures on authors and social media, and then today I am posting this. Collective thoughts around the same theme often surface at the same time within a community, and I think that’s what’s happening here. Ivy The Occultist had posted “Are Modern Witchcraft Books Failing Modern Witches?” on Feb. 12 and this #Occultea open invite on Social Media Witchcraft went out on Feb. 21. I thought that was kind of cool timing.

Introduce Yourself

If you’re reading my blog in the year 2024, then you probably already know a thing or two about me. But in case you’re new here by way of the hashtag, hi! I’m the author of three books: I Ching, The Oracle; The Tao of Craft; and Holistic Tarot. You’ll often find me as a keynote at various tarot and witchy conferences.

By day I am a practicing attorney and my career obligations occupy most of my time. Writing and creating educational videos on topics I’m passionate about and reviewing books and decks to help promote artists and creatives are my hobbies.

I was born and raised in the cultural traditions of both Buddhism and Taoism. I trained in Buddhism, spent nearly every summer month from early childhood until young adulthood at monasteries sweeping floors, doing shaolin (badly), and meditating. There’s this joke among us Asians that you know an Asian kid grew up in Buddhism when they don’t know any of their masters’ names. Because they were all just shi fu to us. =)

Now let’s get started on the prompts.

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