Chinese Oracle Script Divination Cards

2019 July 2 Update

A revised and improved Version 2.0 of this free divination deck is now available. Go here or click on the banner below.

Chinese Oracle Bone Divination Deck, Version 2.0, Free Deck + Book Set

2015 September 24: Original Posting

Instagram Pic Cards Snapshot

While writing my forthcoming second book, tentatively titled The Tao of Craft, I had to do some intense study of oracle bone script. That’s where the knowledge for the card content comes from. All citations to the amazing references I used are in the book, but one person I want to thank right away is Richard Sears, who runs ChineseEtymology.org. Now, as for the inspiration, that’s a little harder for me to convey.

On a morning I was to drive my parents to the airport, I thought I heard a voice speaking to me in my room, while I was sleeping in bed, and that woke me up. Then after that, no matter how hard I tried to go back to sleep, I couldn’t, so I relented, booted up my computer, and in that same sitting, a complete first draft of this deck was done. I talk more about the conception of this deck in the accompanying 55-page Guidebook. The deck itself is made up of 33 cards.

Card Images Snapshot
Screenshots of the first 18 cards

These cards are not for sale, but I am offering a free license for you to use them. Keep reading for now. (Or skim and scroll down. Whatevs.)

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Deck Review of the Tao Oracle Cards by Ma Deva Padma

Tao Oracle Deck 01 First Three

I’ve fallen in love… with the Tao Oracle deck by Ma Deva Padma published by St. Martin’s Press. This is the I Ching oracle deck. It’s a deck of 64 cards based on the 64 hexagrams of the I Ching Book of Changes. Padma’s paintings are emotional, textured, and fully expressive of each of the hexagrams they represent. A quote from the artist: “The evolution and creation of my paintings is sparked by a deep and intensely personal journey into the realm of the subconscious — the kingdom of archetypes and the home of mysterious symbols.”

Tao Oracle Deck 02 Packaging

The deck is beautifully packaged in a sturdy high-gloss box. It comes with a 310-page perfect-bound guidebook that contains the author’s personal interpretations of the 64 hexagrams. St. Martin’s Press really out-does the more popular tarot and oracle deck publishers du jour. I cannot praise the quality of this deck enough.

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I Ching Divinations in the Month of December for a Twitter Follow

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For the month of December, 2014, ending right before New Year’s Eve, I am offering I Ching divinations in exchange for following me on Twitter.

Okay come on. That’s like basically free, people. And if you’re already following me on Twitter, then it is free. Just let me know!

These are not full readings, by the way, and you will be meeting me half-way in terms of work. Let me explain.

I’ve been tackling my own translation and annotations of the I Ching so that I no longer need to work off any of the current English translations. So that’s what I’ll be using for these divinations–my own work product.

To get your I Ching divination from me, here’s what you have to do:

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Pagan Practices and Chinese Folk Religions

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Left image of pagan Wheel of the Year from Biblical Connection.

Right image of a Taoist Fu sigil.

I don’t have educational degrees that would qualify me to write about any of this, so please understand that I am writing my observations within that non-expert context. Lately I’ve been fascinated with pagan and neopagan belief systems, mostly for how strikingly similar paganism is to Chinese Taoist-based folk religion.

Here’s how I understand paganism in context: Back in the day across Europe, Abrahamic religions rose to dominance, became institutionalized, and began setting up centralized bodies of authority that often started in the cities and spread its influence from there. At the fringes of the countryside, however, pagan faiths endured among the minority. These pagan faiths were polytheistic, though pantheist, strongly nature-based, and because they believed that everything was connected, it was thought that certain herbs, incantations of words, ritualistic conduct, and representations of elements could be harnessed to manifest intentions–in other words, magic exists.

Replace a few specifics from the previous paragraph and you could apply it to the relationship between Confucianism (and to a great extent Buddhism) and Chinese folk religions. These folk religions were looked upon in the same way pagan faiths were looked upon by the Christians. Those who practice pagan/neo-pagan religions (like Wicca, Druidism, Heathenry, or some form of pagan reconstructionism) tend to keep their faiths concealed or strictly private. That’s less of an issue among those who practice Chinese folk religions, and so you’ll see altars set up in Chinese businesses that still pay homage to the faiths of their [often agricultural] ancestors. However, like what pagans experience, those who still practice Chinese folk religions are considered fringe.

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A Review of Wisdom of Changes: Richard Wilhelm & The I Ching (Documentary)

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Bettina Wilhelm, the granddaughter of Richard Wilhelm (the man needs no introduction for any Westerner who has dabbled with the I Ching) directed a poignant, artistic, and sentimental documentary on the man who was her grandfather and who is credited with introducing the West to the I Ching. I selected the foregoing three adjectives with great care. The documentary through and through was poignant, artistic, and sentimental.

I admit not knowing much about the man prior to watching this documentary and walked away with great admiration for his pioneering spirit and independent mind. I admire his compassion and the contribution to and what seems to be genuine concern and respect for the welfare of the Chinese people while he was in China. I appreciate that he did not go there to baptize people and preach, but rather, simply practiced the teachings of Christianity with the hope that his actions would speak louder than words, which they did. The film is an incredible tribute to Richard Wilhelm and provides a great deal of historic context for the China he was living in and experiencing.

What made both Hubby and me uncomfortable, however, was the narrative arc of the documentary: white people shit on other culture and deem them heathens, abuse, torment, and treat them worse than dogs, and then lone white hero comes in, defies his own race, comes to admire the “simple” beauty of the “heathens” and, oh, saves them all. Statues are then built in his honor in said foreign land.

Don’t get me wrong it was not intentional and not for a second do I think that arc was intended by the director, but it is almost inevitable. I should even note that when Hubby was setting up the DVD for me, we had some technical difficulties, and while he was working on it, he skipped through sections of it while I wasn’t there. He told me he did so and I asked, “So what is your first impression of the documentary?” Said Hubby deadpan: “White people destroy China. One white guy doesn’t join in the destruction, however, and for not destroying someone else’s land and culture, he is venerated as a hero.”

Oh dear.

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