This article will focus on practice tips for tarot professionals who offer online reading services. That can mean you advertise or market your tarot reading services on a business website, offer tarot reading services delivered by e-mail or other electronic means, or will in any way be engaged in commercial transactions online with clients or prospective clients. If that sounds like what you’re doing, then you may or may not find something practical in this long, verbose blog post. (Yes, this is another one of those doozy posts by me…)
When I first saw the Prisma Visions tarot by James R. Eads, I knew I wanted it. Then after I learned more about it, the continuing narrative of the Minor Arcana cards forming four long, exquisite landscapes, and the bold symbolist-surrealist imagery in the Major Arcana, I knew I had to have it.
I love the bordered Majors juxtaposed with the borderless Minors (shown later). Eads’ art here is a contemporary tribute to French Impressionism and Post-Impressionism, calling to mind Monet, Renoir, Van Gogh, and even some Degas. You can view all the images on the Prisma Visions website, here, though I’ll provide some samples in this review.
I love the flip top box and pretty much the design for every part of this deck and its packaging.
You have a modernized all-seeing eye on the card backs, and while the card backs are not reversible, I still read with reversals when using this deck.
The gilded silver edges are an exquisite detail. You’ve got a thick, heavy, and durable cardstock here, so the cards are thicker than traditionally published tarot decks. I do love the thicker cardstock. There is a semi-gloss finish to the cards. It’s not the full on glossy of, say, typical Hay House oracle decks, and it isn’t the papery matte finish that I tend to prefer.
I’m always looking for RWS-based tarot decks that I can recommend for beginners who aren’t visually ready for the original RWS, and I’ve found one: the Llewellyn Tarot by Anna-Marie Ferguson and published by Llewellyn Worldwide. This deck has climbed up to my top five recommended beginner tarot decks or, heck, anyone interested in the Wales and Welsh culture of the Middle Ages.
The deck comes with a really comprehensive 5″ x 8″ guidebook that does a good job introducing tarot to the beginner but also has so much traditional Welsh folklore and mythology that I found it to be an incredible read, and should be equally enlightening to any seasoned tarotist. The cards themselves are 3.125″ x 4.5″, with thick borders all around. I’ve seen many tarot readers trim their copy of this deck and I’ve got to say, it looks a lot better trimmed.
The soft watercolor paintings by Ferguson (of the Arthurian Tarot fame) transport the Rider-Waite-Smith imagery to medieval Wales, bringing to life Celtic legends, deities, and mythic figures. Although it is a distinctly different style from Kris Waldherr‘s art, something about Ferguson’s work here reminded me of the Goddess Tarot.
The Resonance Oracle by Dara Caplan is a deck of 40 cards, 40 exquisite works of art with accompanying messages that were said to have been channeled through the deck’s creator, Ms. Caplan. The deck is “created with the magic and energy of intent,” or as the book also describes it, the power of attraction.
Lately I’ve been curious about channeling, so I am intrigued by the premise of this deck. The cards come in a high-gloss, sturdy box with a magnetic top flap. I’m surprised at how few Schiffer decks I have, so it’s nice to get to work with this one. The deck set is made in China, though overall I have few complaints about the quality.
The card backs are not reversible with a naturalist feel to the art, and based on the Guidebook, it doesn’t appear to be a deck intended for reading with reversals, though one card in the deck got me scratching my head about the reversals. We’ll get to that later on.
One really neat attribute to this deck you’ll notice right away is that all the cards are horizontal, in landscape, and not the typical vertical setting we’re used to. I really like that. I also like the modern sensitivity, for example in the “Communication” card, seeing the Blackberry.
I can’t tell if it’s the printing quality or if it’s the artwork itself, but this is a very dark deck, as in very dark, saturated colors in the paintings and dark borders on the cards. The art is done on black backgrounds, and so given the style of art, as a publisher I might have opted for a matte finish, instead of the super-high-glossy finish that this deck comes in. These cards are so shiny, I had trouble taking photos. There was a glare in every pictures and you could see the reflection of my camera on the cards.
* Note: I looked up Caplan’s artwork online and it really is the print quality. Her art has a much more balanced quality between light and dark when you see the works on a computer screen, but in these cards, all the colors muddle together a bit and look dark. However, the dark muddle look ultimately works for the deck’s purposes, so I like it. It really sets the right mood.
Let’s try something a bit different from my usual deck reviews. Here’s a one minute video offering you a substantial sampling of the card images. Set to public domain Edvard Grieg’s Sonata in A Minor for Cello, Opus 36, the second movement. Something about the vibe of this deck just said Grieg to me. So here we go (promise it’s short–just 1 minute!):
Tarot Pink Promotional Banner by Roxi Sim, Creator of the Pearls of Wisdom Tarot
Tarot Pink for Cancer is a collaborative tarot deck project organized by Ron Leong, founder of Tarot eCards, a digital app for storing electronic versions of whole tarot decks on your smartphone. The mission of the collaborative tarot deck project is to raise funds for breast cancer research. The concept is to reach beyond the tarot community and introduce tarot to the greater public as a tool for emotional, spiritual, and physical healing, with a focus on fighting breast cancer.
The theme of the deck is “Tarot Pink,” with an emphasis on the tarot’s ability to inspire, empower, and support in a person’s physical wellness journey. Although the financial cause is dedicated to breast cancer research, the deck itself is keyed to all forms of physical healing and the path to wellness. The color pink evokes that healing, compassion, empathy, and soft, understanding, non-judgmental support.
You’re going to want to get this deck. Mary Greer is writing an introduction in the guidebook. You’ve got contributions from some of the biggest names in the tarot world: Robert Place of Alchemical Tarot and Tarot of the Sevenfold Mystery; Ciro Marchetti of Gilded Tarot and Legacy of the Divine; Eric Dunne of Tarot Illuminati; Marie White of The Mary-el Tarot; Kris Waldherr of The Goddess Tarot; Pamela Steele of Steele Wizard Tarot; Mary Griffin of The Hezicos Tarot; Emily Carding of The Transparent Oracle and Tarot of the Sidhe; Roxi Sim of Pearls of Wisdom Tarot; Major Tom Schick of Major Tom’s Tarot of Marseille; James Ricklef of Tarot of the Masters; Carrie Paris of the Magpie Oracle; J. R. Rivera of Beautiful Creatures Tarot, and oh my goodness, so many more.
You are going to recognize a lot of the names on the contributors list. Tarot Pink will be available as both a mobile app. and a printed deck. The app. will be available as early as July, 2015 and the printed deck available in September, 2015. Please support our efforts over at Indiegogo and please help share news of this deck and our fundraising via social media with #TarotPink.
This is definitely going to be a keepsake deck. A lot of incredible folk have infused these cards with the kind of positive, empowering Qi energy that would help in any path to healing, so use it for yourself, use it for those reading the cards for their healing journey, get it as an inspirational gift for someone, or heck, get it as a collector’s deck. Considering the kind of efforts that have been devoted to the creation of Tarot Pink and the practitioners who’ve worked on it, this deck is going to vibrate at a very cool higher frequency, if you ask me.
If nothing else, please get the tarot app for your smartphone. It’s only a $2 donation. Do it! That is less than your morning cup of joe!
I was so honored and red with delight when Ron invited me to contribute to this amazing project. I hope by sharing about my card contribution, you’ll be inspired to go out and read about all the other amazing tarot people and artists and what they’ve done for this deck. And then, of course, actually get a copy! I’m not sure I have the authority to show you other works, so I won’t, but you have to go searching for them. My below doodle looks rinky-dink compared to what others have done. AH-MAZING! stuff.
Go forth to plan out an ambitious future. You are called to aspire for the horizon beyond. The orb symbolizes healing and the power that love has for overcoming obstacles. Gaze into that orb and you will see: you walk the path of a soldier. Progress.
The caption underneath the card image is the card meaning blurb that will be accompanying the smartphone app version of the deck. The deck’s accompanying guidebook will have a longer description, which I’m providing after the jump. Continue reading “Tarot Pink, a Collaboration Deck: My Two of Wands”→
Hey you, budding tarot professional, you. Trying to figure out how to get the word out about the tarot business you just launched? Looking to work for hire as a tarot professional but the concept of PR and marketing intimidates the crap out of you? Here are 9 easy ways you can start. You can do all 9 of these this week, right now, I promise.
So. Treat this post as a checklist. Don’t know where to start with your PR and marketing? Start here, 1 through 9. Complete all of these and you’ll be off to a fantastic start. [This is kind of assuming you’ve already done the social media basics, like gotten your own domain name URL, created a Facebook page for your new business, and created a Twitter or Instagram account.]
The XIII Tarot by Nekro, published in 2014 by Fournier/Lo Scarabeo (and distributed in North America by Llewellyn) is a Gothic-inspired art deck with ornamental detailing, intense, evocative emotion, and a macabre motif. The art is in grayscale, with select sections of each card digitally enhanced a brilliant red.
The audience for the XIII Tarot deck is going to be aficionados of dark/gothic tarot decks, though without illustrated pips, it’s going to be better suited for Marseille readers.
Many of the reviews for the deck that I read on Amazon complain about the non-illustrated pips, but that didn’t bother me. You just have to know what you’re getting, as a deck buyer. In the context of Nekro’s highly detailed artwork, I like the non-illustrated pips. Illustrated pips, given Nekro’s highly detailed art work, along with the already highly detailed Majors might have been overkill.
Notice how the Majors stand out in a reading spread with the XIII Tarot.
When the cards are set out in spreads, the images on the Majors step forward beautifully, the Courts speak to us in their respective voices, and the pips provide supplemental information. For me, the deck reads quite well, but I see how visual-spatial-right-brained readers are going to prefer the illustrated pips that you might find in other Gothic decks like the Dark Grimoire Tarot by Michele Penco also by Lo Scarabeo, or the Bohemian Gothic Tarot by Alex Ukolov and Karen Mahony, which sadly, is now out of print (I believe).
This one seems interesting. It’s a tag that’s been circulating video blogs, but since I don’t do those, I’ll write out my responses instead. Please also consider participating and, in the comments section, link me to your responses. Also, be sure to share with the blogosphere using the #IntuitiveTag.
I’ll be completing the intuitive tag in various parts. Here’s Part 1.
Share your first paranormal experience that comes to mind.
The first one that comes to mind happened about five years ago, no, maybe even more years ago than that. Know that I have a strange affinity with “11.” It recurs throughout my life and I, like a handful of others, always seem to glance over at the clock when it’s 11:11 exactly.
At the time of this occurrence, the address number of the condo that Hubby and I lived in was 109. The condo next door was 111. We had just moved into this condo, so I was not yet familiar with the neighborhood. In other words, hadn’t one clue where the nearest hospital was.
It was evening, a weeknight. Hubby was still at work and I had just gotten home to start preparing dinner. I had oil heating up in a wok and was chopping up the eggplant to be fired up in that wok. Meanwhile I was yapping away on the phone with my sister.
I lost track of the stove and FOOM! I turned around to see where the sound was coming from and oh my @#$%ing the wok was on fire. The flames were 3 feet high and melting the microwave that was situated above the stove.
“Gotta call you back,” I muttered to my sister on the other line. Then I dropped the phone and panicked.
In a state of panic, I couldn’t think straight. In that moment, it made more sense to me to try to run the flaming wok out of the house into the parking lot than it did to simply try to get it in the sink. I think it’s because I recalled watching something about putting water on a fire and the fire getting bigger, I don’t know, I’m just making excuses now. Anyway, in the moment, I grabbed the handle on the wok and dashed for the front door.
Back in 2011, Christine Payne-Towler came out with Tarot of the Holy Light, illustrated by comic book artist Michael Dowers. It was self-published by her via Noreah Press.
However, for reasons unbeknownst to me, I didn’t become aware of the deck’s existence until last year. You can order the deck over at Tarot University. This deck, along with Christine Payne-Towler, is going down in tarot history, mark my words, and while far be it for me to tell you what to do, I’d get a copy of this deck while it’s still available.
The Tarot of the Holy Light, with its little white booklet
Anyone who has explored esoteric tarot has heard of Christine Payne-Towler. She’s written some of the most compelling, provocative articles on tarot scholarship available, many of which you can find at Tarot.com or at ArkLetters. Payne-Towler is one of my tarot heroines.
I totally swiped this deck interview idea from Kate at Daily Tarot Girl. Read her blog post about it here. I was gifted the Witches Tarot, a deck created by Ellen Dugan and illustrated by Mark Evans. It’s a Rider-Waite-Smith based deck with photographic digital art that is a near seamless blending of realism and fantasy.
The cards are 2.75″ x 4.60″, a typical size for tarot, though perhaps a smidge smaller, which means they shuffle great in my hands, fan out just beautifully across a tabletop, and are very easy to work with. It’s published by Llewellyn and has a pretty standard Llewellyn/Lo Scarabeo cardstock quality. For an RWS tarot practitioner who likes modern digital art, the Witches Tarot would make an incredible workhorse reading deck.
The cardbacks are so pretty. There’s a galactic vibe to it and at the center, the triple goddess symbol, with the waxing crescent, full moon, and waning crescent moon. The backs are not reversible, however, as one edge is reddish and the other bluish. I’ve opted not to read with reversals when using this deck.
Now, without further ado, let’s interview the Witches Tarot with Kate’s suggested questions.
BENEBELL: What is your main mission or message in this world?
WITCHES TAROT [WT]: Page of Swords
The page is represented by a tall, thin teenage boy on a green plain. He wears a talisman with a hawk around his neck. This card, per the Companion guidebook is about thinking quickly and active decisively. However, use wit, not brute force. Per the traditional attribution of the card, that of messages, the hawk symbolizes messages. What an appropriate card to respond to the question with! In the Witches Tarot deck is embedded Ellen Dugan’s message, a message about her belief systems, her traditions and how she has integrated those traditions with the Rider-Waite-Smith tarot, and a quick and natural wit about the deck’s style that will attract its followers.
benebell wen 