Pistis Sophia (Majors Only) Goddess Tarot by Kim Huggens and Nic Phillips

Pistis Sophia: The Goddess Tarot is a 22-card Majors only deck by Kim Huggens and Nic Phillips, published by Schiffer. Pistis Sophia is the sequel to Sol Invictus: the God Tarot published by this duo over a decade ago.

The namesake for the deck comes from the Gnostic text Pistis Sophia, a compilation of narratives on the aeons and cosmology told through the stories of a feminine figure, Pistis Sophia.

The intention set for this deck was to take on a more hard polytheist approach to the goddesses, where the named goddesses are not mere faces to universal divine feminine concepts, but rather, are the goddesses themselves, in their own individual identifiable right.

What also sets Pistis Sophia apart from other goddess decks on the market is the creators’ scholarly approach. This becomes most apparent in the companion guidebook, which is a treasure trove of knowledge and impressively well-researched insights. The book itself, before we even get to the incredible artwork on the deck, is well worth your investment.

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Morning Calm Oracle by Seo Keller

A treasure of a divination system in a box that you’ll cherish, Morning Calm Oracle by trained shaman Seo Kelleher invites you to engage with a world of spirits, divinities, and nature magic from the Land of the Morning Calm, a name of endearment given to Korea.

The box design, sigils, and the tactile experience of handling the cards are an exemplary representation of East Asian magic. Those who are sensitive to energy will even feel the difference in the vibrations of this deck in hand compared to other decks you might have in your collection.

I am enchanted by the effortless beauty and the beneficence of this deck. The artwork is done by Alodia Yap, whose artwork is moving and melodic. Yap’s art style here is impressionistic. It works in perfect harmony with what Kelleher set out to achieve.

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The Cosmic Slumber Tarot by Tillie Walden

Tillie Walden is an award-winning American graphic novelist and comic book artist who has teamed up with the incredible small publishing house Liminal 11. Together they’ve created the Cosmic Slumber Tarot, an epic hyperspheric dimension of tarot space brought to life through manga.

Major Arcana, Keys 0 – 5

This deck reads like a graphic novel, which makes sense given the artist’s background. Walden’s color choices and pairings are gutsy. If I may be permitted to use a fashion metaphor (it’s just this random area of life I’ve got an interest in), this would be Betsey Johnson meets Alexander McQueen inspired by fairytales told through hallucinogen-induced dreams.

By the way, love that Empress card, reminiscent of the Nursing Madonna, paying homage to the history of painting the Virgin Mary breastfeeding baby Jesus.

You get a full-color hardcover guidebook that tucks snugly inside the box with your cards, which I always appreciate. These card meanings are comprehensive enough for the deck set to be user-friendly to total tarot beginners.

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The Muses of Tarot by Ethony: Book and Deck Set

The Muses of Tarot is a book and deck set by Ethony Dawn, with illustrations by Lena and Sasha Semenkova. The book is about 13 muses of the tarot that came to Ethony in her visions and channeled messages to her that correspond with the 78 cards of the tarot deck. In addition to the book, you get a set of 13 Muse oracle cards, 13 altar cards for those Muses, 13 invocation cards, and 7 chakra energy amplifier cards.

The 13 names of the Muses are original conceptions by Ethony that describe universal or archetypal spirits, and by “spirits” here I mean an embodiment that our superconsciousness can take on. They also represent 13 types of tarot readings. For example, Adoria is the Muse of love & relationship readings. Brujula is the Muse to invoke for tarot readings about big changes coming up in your life. Divina is the Muse of predictive tarot readings. Holistix is the Muse of health, healing, and wellness readings. Veilia is the Muse of mediumship. And so on.

In terms of production quality, you always get luxury from Ethony. Everything from cardstock, full-colored guidebook pages, and every fine detail of the packaging design is top rate. The finish on the box, book, and cards is this velvety rose petal texture that’s ultra matte. The box features a magnetic strip closure and every aspect of the graphic design is clean, fresh, feminine, fun, and has that cosmopolitan vibe to it.

This illustration is one of my favorites in the deck.

When it comes to production values, this is perfection. This is what deck creators ought to strive for. Love it all. Now let’s talk about the content.

The premise for this deck and book set, and the manifestations of the 13 Muses must have been a comet of divine inspiration that nose-dived straight into Ethony’s inner genius. I love what she says about the Muses:

“When I work with my creative muses, I believe I am making an agreement with a daemon to bring something from the ether into the material world. . . . The muse and I have a creative love affair. I bring my background, experience, personality and flair to the project, but I am also working with an element of pure magic.”

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Tarot of the Divine by Yoshi Yoshitani

Tarot of the Divine by Yoshi Yoshitani has become one of the magnificent tarot gems of 2020. And for me in particular, it’s a special kind of joy to encounter a fellow Asian American who is also into the tarot.

The deck is published by Clarkson Potter, an imprint of Random House. The Big Five publishing houses are taking a greater interest in tarot, witchcraft, New Age spirituality, and the occult, whereas back in the day, it would be just the specialty publishers like Llewellyn, Weiser, Hay House, Schiffer, or U.S. Games publishing tarot and oracle decks. That this deck was picked up by one of the bigger publishing houses was another factor for my intrigue in this deck.

I love the color palette– bold, bright, with just a touch of whimsical magic to awaken your inner child. The combination of Yoshitani’s illustration style, the enormous amount of research that went into this undertaking, the fairytales, and the tarot is a stroke of divine genius.

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The Edgar Allan Poe Tarot by Rose Wright and Eugene Smith

The Edgar Allan Poe Tarot by Rose Wright and illustrated by Eugene Smith brings to life the dark, macabre world of Poe, envisioned through the tarot. This deck is a creative writing major’s dream come true. The rich references to Poe’s works throughout the tarot illustrations are sure to delight.

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Simplicity Tarot by Emilie Muniz: A Tarot Deck for Everyone

The Simplicity Tarot by Emilie Muniz is this perfect RWS-based deck that checks all the boxes that people keep saying they want in a tarot deck, but don’t seem to notice that Simplicity Tarot exists. It flies quietly, humbly under the radar, and I have no idea why. Muniz’s deck features all the hallmarks for what our community keeps saying we want in a tarot deck, and yet this deck isn’t trending. Why is that?

Here is this deck with imagery that feels classic, timeless, not overly modern, with refinement and elegance, beautiful on any reading table spread, and has the diverse representation so many of us readers today want in a deck.

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Anti-Chinese Sentiments and Baba Studio (BabaBarock)

I never had any issue with Baba Studio (BabaBarock) prior to learning of their anti-Chinese sentiments, and none of this is personal. In fact, I waited for three strikes, three separate incidences of public anti-Chinese statements before finally saying enough is enough, I need to speak up.

By way of some background, Baba Studio (aka BabaBarock World) is a tarot deck creator and publisher specializing in digital collage decks mashed from public domain images.

See also: 7/07/2020 Edits below

TL;DR Lessons Learned

Deck piracy is a serious problem that creators face and as a collective have had to fight against. When you engage in that battle, however, don’t lose your humanity or compromise your principles against prejudice.

Call out specific bad actors by name and don’t make blanket statements such as “all Chinese…” If you are going to call out a specific culture, reread your statement carefully. Is it a micro-aggression? Be self-aware. Could the phrasing of your statement be revealing of subconscious antagonism toward a specific culture? Be thoughtful about how you can fight the good fight without resorting to xenophobia.

“My legal counsel advised me to never do business with Chinese companies, because all of them will rip off your intellectual property.”

Paraphrased, but an accurate representation of what was said by a very prominent deck creator in our community. She’ll tell you my paraphrase isn’t accurate and that I’ve misrepresented her. She takes issue with me saying she used the word “all.”

I can’t recall if that precise word “all” was ever used, so let’s believe her and say I’m mistaken. She never said “all.” It was me who read into what was absolutely, unequivocally implied in the subtext.

Oh, wait. The below was sent to me, after I started feeling pretty terrible about maybe misconstruing what she had said. I was beginning to second-guess myself, thinking, man, I now feel like crap for thinking she said “all” when she didn’t. Many of her friends were messaging me, privately and publicly, telling me I got her all wrong, I am remembering her words wrong, and she never, ever said “all.”

Some deck creators saw that same post I saw and immediately thought it was problematic and insensitive.

Other deck creators believe she means well, but perhaps she worded her sentiments wrong– let’s chalk this one up to poor word choice. Maybe. But what I’ve seen from her, she is one fine writer.

And still others think I am the one who is way out of line, being overly sensitive, probably because I’m Asian, and poor, poor Karen for getting misunderstood.

I’ll concede that the truth is probably somewhere in that middle “no man’s land” intersecting point of the Venn diagram. I’m not 100% right, but then neither is she.

Here’s the thing. That was not her first offense. From what I have personally witnessed, it was her third. If we consider what the entire community has witnessed, who knows how many times she has repeated this rhetoric.

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Dracxiodos Tarot by Greg Traw

Greg Traw’s Dracxiodos Tarot is a psychedelic experience in a box, and if ever there was a chaos magician’s deck, this would be it. What’s more, Dracxiodos Tarot presents that chaos magician as, first and foremost, the Artist. The only Major Arcanum card to be titled, in fact, is the Artist card, assigned to Key V, classically the Hierophant.

The deck is independently produced and can be purchased directly from the artist here.

Reinforcing that theme of magician/alchemist as artist, the card back design features in the foreground an illustrator’s stylus pen and a paintbrush. Up top, in between the book pages featuring heiroglyphs is a razor blade pen, which I presume was Traw’s instrument of choice in the hand-cut collage works that this deck is comprised of.

By the way, the cards are huge! Above to the right is a deck at standard tarot size, 2.75″ x 4.75″. The Dracxiodos Tarot is 4″ x 8″. It’s a sturdy deck, too, 350 gsm white core cardstock with a matte finish.

The limited edition deck comes in a two-piece keepsake box and has been finished with this really incredible silver holographic edging that reminds me of labradorite.

Card Back Design, first version of Key 0, and First Septenary

Above in the bottom row, second card from the left with the pale green background, is Key V, renamed to The Artist. Every aspect of how this deck has been produced is in itself expressive of where contemporary art is today, and who the contemporary artist is. You’re going to see a global, culturally diverse influence. The point of view and visions are dynamic. Parts of Traw’s work are self-referential. These images are at once full of realism and surrealism.

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