There is a tarot deck that has become a prop in my front sitting room. I leave it out on an end table and most of the time, a guest will reach for it and flip through the cards. I always know when that has happened, even if I am in a different room, because immediately thereafter I hear the squeal. “Oh my god! What is this deck? It’s gorgeous!” Then there’s a range of follow-up commentary, from those recognizing the art of Sandro Botticelli, to those who are either “Now this is the most fascinating deck of playing cards I’ve ever seen” to “So is this like a tarot deck, like the psychic fortune-telling cards you use?”
That deck is the Golden Botticelli Tarot designed by A. A. Atanassov and published by Lo Scarabeo. I love the reversible card backs and the ornate design that, to me, captures the Florentine Renaissance.
The cards are a mosaic of imagery from Botticelli paintings piecemealed together digitally. And it’s done with such seamless mastery that you almost can’t tell.