|Name of Deck||:||I Ching Dead Moon Oracle Deck|
|Publication Date||:||March 5, 2012|
|Card Size||:||2.5” x 4.5”|
|Total No. of Cards||:||64|
I love the I Ching Dead Moon oracle deck by Luis Royo… As a collector’s item, that is.
Royo’s artwork in Dead Moon is what I’ll describe as East Asian post-punk gothic rock that borrows imagery from Japanese samurai culture and imperial China, altogether with lots of blood, wild black hair, and intricate tattoos. And the consistent depiction of inclement weather in the backdrop.
In other words, awesome.
Sure, there’s some hypersexualization and exotification of Asian women in there, but let’s just agree that post-colonial social politics will be beyond the scope of this deck review.
Without question Royo’s Dead Moon deck is one of the best on the market when it comes to art. It is an oracle deck, however, and not tarot in the traditional sense. As it is based on the I Ching, the oracle deck has 64 rather than 78 cards, each corresponding with one of the hexagrams from the I Ching. However, the Dead Moon I Ching deck is haphazard with the illustrations. They don’t necessarily correspond with the hexagram it’s supposed to represent. Other I Ching oracle decks, such as the I Ching Tarot by Kwan Lau, depict images that the illustrator believes represents the meaning of the hexagram. If that was Royo’s intention, then it may have failed, at least for me.
For example, Hexagram 2, Kun, or Earth, represents stability, support, strength, fertility, nourishment, etc. It’s a hexagram that reminds us to be calm and receptive to the natural world around us. In other I Ching oracle decks I’ve come across, Hexagram 2 is usually represented by a tree or a Mother Earth type figure. In the Dead Moon deck, we’ve got a half-naked forlorn looking woman who is kneeling, looking down. There may or may not be a waterfall in the background. It’s an incredible work of art, no question, but perhaps not the most comprehensive image to symbolize Hexagram 2. Not to mention there are no words on any of the cards to suggest what the hexagram you’re looking at is, other than the number. So either you know it or you don’t. No hints, anywhere.
As a result I found it difficult to use. When the I Ching is used on its own for divination, you consult the book after yarrow stalks or tossing coins or what have you. When the tarot is used on its own for divination, you interpret the meaning through the imagery and symbolism on the cards. A divination fusion of I Ching and tarot, one would think, would mean the ability to interpret the meaning of the hexagram via the imagery and symbolism on the oracle card. For Dead Moon, not so much.
For instance, Hexagram 9, Shiao Chu, is about restraint and propriety. I just don’t get that from the card’s imagery. In fact, the woman on that card looks sexually inviting. Hexagram 11, Tai, is about reaping the fruits of your labor; success. Stunning artwork in Hexagram 11, but it makes no sense as applied to the meaning of Hexagram 11. Hexagram 22, Bin, is about grace and beauty. The image of the woman depicted therein kind of works for me but also kind of doesn’t. If I didn’t know the meaning of Hexagram 22 prior to encountering that card, I would not have guessed “grace and beauty.” Maybe melancholy.
The deck did not work for me when I applied traditional I Ching divination techniques and it did not work when I applied it to my go-to tarot and cartomancy spreads. I know I said that that post-colonial social politics is beyond the scope of this review, but the scantily clad, sexually objectified Asian women were offensive to me. Aren’t we beyond that kind of antifeminist and racist behavior yet?
What’s more, to use Dead Moon as an oracle deck, the practitioner would need to be quite advanced and highly knowledgeable already of the 64 hexagrams. With no keywords, no card titles, illustrations that for the most part have little to do with the hexagrams, none of the symbolism of the original I Ching, and a barebones booklet that offers a shallow interpretation of Tao, if you don’t know the I Ching going into the Dead Moon, you won’t learn much about it after using the deck. Truth be told, I found the artsy-gothic-lots-of-sexy-Asian-women-and-hot-warriors deck of cards unappealing as a representation of the Tao, which I deeply regard.
Dead Moon is not a tarot deck in the traditional sense and will be a leap for tarot readers to use. So from a marketing standpoint, who exactly is Royo targeting?
The I Ching Dead Moon is going to be a favorite in any tarot/oracle deck collection. The art is beautiful and the dark ambiance of the deck is altogether thrilling. However, for me, that is where the Dead Moon’s purpose ends. It does not work for divination under either of the two esoteric paradigms it claims to be inspired by, tarot or I Ching. It is pretty to look at and that is about it.
4 thoughts on “I Ching Dead Moon Oracle Deck: Gothic Asian?”
You say exactly what I feel, Benebell. I’ve had this deck for a number of years and have never really used it. The artwork is sophisticated but I ended up too frustrated when using it. I couldn’t find a relationship between the imagery and I Ching and there was not enough in the illustrations to just got at intuitively. A pretty big disappointment here too.
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Your Tarot and Oracle reviews are the best I’ve seen. They tell me everything I want to know about a deck.
Usually I am a big fan of Royo’s art.I also own two art books by him. But I will neither buy the Tarot nor the Yijing cards. Simply put it’s merchandise only. The artist has no idea of the actual meaning of Tarot or Yijing. Those decks are made by a random choice of pictures from his art books, unfortunately.
However, when it comes to the overly sexual depictions – I can assure you that those of Dead Moon are rather subtle compared to his usual artwork. Almost all women (no matter the skin color) in his pictures are presented in an erotic, sexual or even pornographic way. While it might not be everybody’s cup of tea, at least he is consistent in that and not a racist.
I personally have no problems with open expressions of sexuality and that also applies to Tarot cards and the like. (Also concerning the Guan Yin discussion – I would have no problems with a mother depictured as erotic. I mean, non of us would be here, if our mothers didn’t have sex. Fertility always goes hand in hand with sexuality.) However, I fully agree that before using any symbols and gods or goddesses one really has to do intense research on its cultural origin and meaning. It is a matter of respect.