The Poet Tarot: A Divinatory Tool for Poets and Writers

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The Poet Tarot published by Two Sylvias Press has just made its debut at the 2014 AWP Conference in Seattle. It was created by Kelli Russell Agodon, who is herself a writer, editor, and poet, and Annette Spaulding-Convy, also a poet. I received an advance review copy and am loving it! This will be one of those amazing decks I use when reading for poets, writers, and artists.

There may be some debate as to whether the Poet Tarot is a tarot deck or whether it is an oracle deck, but more on that later. I tend to see it more as an oracle deck for reasons I’ll explain.

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The deck comes in a yellow organza drawstring pouch along with a guidebook, and you will definitely need the guidebook. The dimensions of the cards are about 2.75″ x 4.75″, which for me is the perfect size to shuffle with. They’re very snug in the hands. The guidebook is 5″ x 8″ and while that would not bother me ordinarily, I can’t imagine using the Poet Tarot deck without the guidebook, and so for that, if both were the same size, I could put both in the same pretty cedar box and keep them together on my writing desk, no problem. I have to imagine that as writers come, I’m not alone in that sentiment. Due to the specific nature and purpose of this deck, it would just make more sense to have the guidebook be the same size as the cards, with the intention that the two will always accompany one another.

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The art of the deck is in a digital collage form that blends Victorian art and imagery with poet busts in a wholly contemporary style. It’s really breathtaking to look through and has a natural appeal to most 21st century writer sensibilities. They’re borderless like many contemporary decks today, and the borderless design suits the deck well.

Once you hold this deck, you’ll know that every aspect of it was designed for the writer in mind. I just want this deck (and its guidebook) in an ornate wood box in the corner of my writing desk next to Strunk & White. You know what I mean?

The cards are subdivided into the Poets (Major Arcana) and the Suits. The Suits are Quills, Muses, Mentors, and Letterpresses, corresponding with Wands, Cups, Swords, and Pentacles respectively. The four suits represent the four stages of the creative writing process: Quills for creation, Muses for inspiration, Mentors for revision, and Letterpresses for completion. I really love the thoughtful way Agodon and Spaulding-Convy have designed the Poet Tarot deck.

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A Tarot Reader Guest Blogs at Best American Poetry

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I am the guest blogger this week over at Best American Poetry and am feeling a bit like a fraud since I’m not a poet, at least not since the angry-histrionic adolescent years of poems about boys who won’t give me the time of day, printed in font size 14 in comic sans or some other curly girly font and center-aligned down the page. Hm, actually in college there was a brief period of doing slam poetry on themes of an Asian Diaspora ravaged by post-colonial ambivalence and cultural imperialism but that period is really best left forgotten too. I am, however, an avid consumer of poetry and have bookshelves at home filled with poetry collections and chapbooks, half of poets you’ve all heard of and half of poets you’ve probably never heard of.

I’m trying to think of when I first learned about the Best American Poetry series, and it turns out I can’t seem to remember a time when I was aware of literature and not aware of BAP. I read it in high school, college, and even recall sending a letter to David Lehman directly one time about a decade ago telling him I felt the BAP series didn’t include a fair representation of Asian American poets. The current series has been much better, I think, about diverse representation.

This week BAP is letting a tarot reader (me) run loose on their blog (http://blog.bestamericanpoetry.com/) and here’s what’s going to happen:

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