Thoughts on Machine Qi (Soul?) & Drawing The Hermit Card

It’s been a while since I gave an Etteilla deck-in-progress update. I finished working on Card 18, The Hermit, oft named The Capuchin (an order of Franciscan friars) or simply titled with the keyword “Traitor.”

As I was drawing, I got to thinking about the qi in works of art, per the qi of their artists. That in turn got me thinking about the qi of AI and AI-generated images.

Just so we’re clear, no part of my art process includes AI, AI generated images, just– any of that stuff. The most high-tech we get is the capabilities of a 2004 digital painting software that has since gone defunct, so this software program no longer even exists.

But back to the point of this rumination…

If we are to believe in the principle of qi as a force imbued in all things that are sentient or created by sentient beings, then works of art have qi.

In fact, that has always been one of the fundamental factors of valuing art from a Taoist perspective — assessing the qi of the artist’s hand apparent in the art.

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Social Media Witchcraft: Grifters, Aesthetics, Consumerism, Gatekeeping | #Occultea

Random photo inserted here because pretty. Don’t hate the player hate the game.

I’m looking forward to many and different voices adding to the discussion “Social Media Witchcraft: A Community Conversation About the Things That Divide Us” via the hashtag #OcculTea. The hosts are kickstarting the conversation off with these videos from Ella Harrison, Polish Folk Witch, and The Redheaded Witch.

“All members of the occult & witchcraft community – not just content creators or big names, but everybody” is invited to participate in this discussion, with the hope that the hosts might later facilitate a live community panel.

It’s a bit of an unanticipated synchronism that just yesterday I posted my commentary on personal branding pressures on authors and social media, and then today I am posting this. Collective thoughts around the same theme often surface at the same time within a community, and I think that’s what’s happening here. Ivy The Occultist had posted “Are Modern Witchcraft Books Failing Modern Witches?” on Feb. 12 and this #Occultea open invite on Social Media Witchcraft went out on Feb. 21. I thought that was kind of cool timing.

Introduce Yourself

If you’re reading my blog in the year 2024, then you probably already know a thing or two about me. But in case you’re new here by way of the hashtag, hi! I’m the author of three books: I Ching, The OracleThe Tao of Craft; and Holistic Tarot. You’ll often find me as a keynote at various tarot and witchy conferences.

By day I am a practicing attorney and my career obligations occupy most of my time. Writing and creating educational videos on topics I’m passionate about and reviewing books and decks to help promote artists and creatives are my hobbies.

I was born and raised in the cultural traditions of both Buddhism and Taoism. I trained in Buddhism, spent nearly every summer month from early childhood until young adulthood at monasteries sweeping floors, doing shaolin (badly), and meditating. There’s this joke among us Asians that you know an Asian kid grew up in Buddhism when they don’t know any of their masters’ names. Because they were all just shi fu to us. =)

Now let’s get started on the prompts.

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Are Personal Branding Pressures on Authors Resulting in Bad Books?

As a tarot deck creator, it’s not enough to just do the art; you have to create social media content with your works-in-progress to keep up engagement….. Otherwise, how will you get people to buy your deck once you’re done with it?….

I saw an editor friend’s repost of this Vox article, “Everyone’s a sellout now: So you want to be an artist. Do you have to start a TikTok?” by Rebecca Jennings. It’s about the pressure on authors today to have a preexisting popular platform before publishing a book, or any creative work product for that matter. How well a book sells is determined by how well the author self-promotes. Pertinent to the circles I run in, let’s talk about tarot and witchy books.

Social media influencers have democratized culture, but perhaps have also diluted specialty creative industries. Instead of an experienced, established industry expert who is the gatekeeper of what ought to get published, the consuming public is now collectively the “gatekeeper” determining who The Algorithm will favor. Publishers are yielding to the consumer public opinion, via numbers, on who ought to be published.

Top selling books are not necessarily by the most knowledgeable virtuoso in that field but rather, are by whichever charismatic personality has the most followers on YouTube and TikTok. Therefore, to be a top selling author, you need to cater to that consuming public. It’s not about your resume, curriculum vitae, or credentials; it’s about your personal brand.

Inspired by that article, I thought I’d share my experiences on having to navigate social media, personal branding, and platform building as an author.

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The Guan Yinzi

also known as the Wen Shi Zhen Jing: Sutra of Magical Spells and Aphorisms for Attaining Primordial Truth

The more recognized naming convention for the sutra is the Guan Yinzi (闕尹子) or Wen Shi Zhen Jing (文始真經) attributed to the gatekeeper who Laozi encountered.

The Guan Yinzi (or Wen Shi Zhen Jing)

According to lore, the gatekeeper at the Western Pass, named Yinxi 尹喜, later given the name Wenshi (文始), transcribed the teachings of Laozi and that text became the Tao Te Ching (道德經). Alternate tellings have Laozi writing the teachings down into two books himself, which the gatekeeper then receives.

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Etteilla Deck-in-Progress: Card No. 16, Last Judgment

I started working on my reconstructed Etteilla Tarot in early 2022 and was making pretty decent progress. Then in all of 2023 I only completed the first drafts of 7 cards. That’s right. Seven. It took me an entire calendar year to complete seven cards.

Also, I stalled on the Judgement card because I just couldn’t get the composition quite right.

Left: Il Giudizio Universale (1536-1541) Michelangelo; Right: The Last Judgment (1599) Barbara van den Broeck after her father, Chrispijn van den Broeck

At first I was seeking inspiration from, like, Michelangelo and van den Broeck, with hundreds of teeny tiny people, angels, and demons in the background, lined up and down those mountain tops. But having nowhere near an iota of their talent, my drafts kept looking like a hot mess.

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StaarCon 2024 in Palm Beach, Florida

Me, with Christiana Gaudet, founder of StaarCon. Photo credit: Frank Kwiatkowski of Tarot Awakenings (tarotawakenings.com)

StaarCon, the Southeastern Tarot Artists and Readers Conference, based out of Florida, is relatively new on the scene, with its first conference in 2021 for which I was lucky enough to be a keynote speaker.

Currently in the U.S. tarot conference circuits we’ve got the Readers Studio in New York founded by Ruth Ann and Wald Amberstone (click here for my coverage of the 2018 event and here for the 2019), the Northwest Tarot Symposium (click here for my recap of NWTS 2022) recently taken over by Michelle and Roger Welch of SoulTopia, and the Masters of the Tarot Conference at the Omega Institute, co-founded by Rachel Pollack and Mary K. Greer (click here for my thoughts on the event).

StaarCon has the personableness and small-group-feel of the Omega conference, some of the razzle-dazzle characteristics of the iconic Readers Studio, and the ability to attract big personalities the way NWTS does. Oh, and because video recordings of all master classes are available all year long and there is the post-conference tarot lounge events and virtual gatherings, it’s reminiscent of Ethony’s Tarot Summer School at the Tarot Readers Academy (my blog posts on it in 2016 and in 2018). So if you’re looking for that tarot conference with a little bit of something for everyone, then that’s StaarCon.

Accelevents Attendee Portal StaarCon 2024

I was invited back as a keynote for StaarCon 2024, my first time attending in person (the 2021 conference during the pandemic was virtual only). What’s unique about StaarCon is its hybrid model, with the virtual event managed by Accelevents. Meaning you can elect to attend in person or attend virtually from the comfort of your own home.

For the price of admission, you’re getting access to a wide array of master classes on tarot techniques, tarot adjacent studies like astrology, crystals, and sound bath meditation, in-depth targeted explorations on how to read the cards, powerful and transformative guided visual journeying sessions for connecting with an animal totem or quantum healing, tarot business essentials, more academic-driven workshops, to creating and selling your own deck, just to name a few of the topics covered this weekend.

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Lepus Tarot by Witchy Cauldron

The Lepus Tarot by Witchy Cauldron, with illustrations by Artem Chernobai, arrived in my mailbox under somewhat mysterious circumstances. I’m not entirely sure how I came to receive it, but I sure am glad I did!

The deck’s namesake, lepus, means hares, or rabbits, and is also a reference to the constellation Lepus, eternally hunted by Orion. I love how the card back design even has constellation map vibes.

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Tarot de El Dios de los Tres (The God of Three Tarot) by Javier Navarro

Javier Navarro‘s Tarot de El Dios de los Tres (Tarot of the God of Three) first came out in 2021 and I’ve had my eye on it since. There’s something about it that immediately sets it apart from most tarot decks I’ve come across on the market. It feels counterculture, cheeky, and yet not without depth and substance of thought.

Major Arcana, Chariot through The World; Ace, Two, and Three of Pentacles

Navarro is an Andalusian born artist and illustrator who blends sacred imagery from world religions and pop iconography to design a universe that is energetic, joyful, and liberating.

Four through King of Pentacles; Ace through Seven of Cups

This isn’t a deck review, just a walk-through, as I have not done readings with these cards. For me personally, this is a collector’s deck. It’s a deck I’ve acquired for the artwork, to get to hold a gallery of beautiful illustrations in my hands.

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I Ching and the 60-Year Lunar-Solar Calendar Cycle

My Instagram post from five days ago noted that 2024 (or more accurately, year of the Wood Dragon) corresponds with hexagram 43. Some have been describing it as a forecast or prediction. That’s not entirely accurate, so I thought I’d clarify.

It’s not so much a forecast as it is an application of I Ching theory.

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