The Wooden Tarot Deck Review

Wooden Tarot - Box and Cards Display

The Wooden Tarot by A. L. Swartz of Skullgarden on Etsy is an animal lover’s dream tarot deck. I love the paintings on wood and found it pleasantly synchronistic that Swartz draws heavily from the concept of memento mori, as do I in certain aspects of my own practice. Swartz’s artwork seeks to express the esoteric dimension of flora and fauna, merging realism and surrealism, and you see that in the illustrations on The Wooden Tarot.

Wooden Tarot - Box

The deck is based on the RWS tradition and while the deck does not come with a companion guide or LWB of any sort, Swartz does note to interpret The Wooden Tarot with any RWS-based tarot book. However, I found that I craved a book keyed specifically to the imagery of this deck, because it really is quite special and distinct from the traditional RWS symbols.

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LXXXI Quareia The Magician’s Deck

LXXXI Quareia Deck 01 Book and Cards

The LXXXI is an 81-card esoteric deck by Josephine McCarthy, Stuart Littlejohn, and Cassandra Beanland. It’s not a tarot deck, though you’ll see cards captioned “Chariot,” “Wheel of Fate,” Hierophant,” “Luna” (Moon), “Sol” (Sun), and “Death.” You’ll see “Fellowship” with imagery that may remind you of the RWS Three of Cups.

On a technicality, some might categorize LXXXI as an oracle deck, but I’ll just stick to what it’s been named: The Magician’s Deck. The LXXXI Quareia: The Magician’s Deck “draws upon the mythic, mystical and magical powers that underpin the magical systems that tarot eventually developed out of.” See here. “It is based upon real inner realms, real inner contacts, beings and forces that the practitioner of magic is very likely to involve themselves with. Because of this approach, the deck works as a contacted deck, i.e. used magically the images can act as gateways to inner realms, inner beings and magical patterns.”

The premise behind the LXXXI reminds me of the inner and outer gods concept in Taoism where, in short, certain “gods” reside within us (and they have names, along with descriptions of what they do) and certain “gods” are romping out and about, around us (both on earth among us and in other various supernatural realms). Granted that was the Cliff-Notes-Taoist-Deities-for-Dummies version but you get what I mean.

According to esoteric Taoist principles, a magician or metaphysical practitioner can invoke or summon these “gods” (I put the term in quotes because if you’re looking to translate/interpret the term, 帝, it can be “gods,” “emperors,” “divine beings,” “Divinities,” take your pick) and work with those energies to influence both the natural and supernatural worlds.

LXXXI Quareia Deck 03 Divine Realm

The deck is subdivided into four realms. Red bordered cards indicate contacts (the term that the companion guidebook for the deck describes these metaphysical energies as) from the Divine Realm. There are four contacts of the Divine Realm in this deck, pictured above. Star Father I correlates with Divine Intention. Creator of Time II is the energetic movement flowing from the Star Father toward manifestation. Holder of Light III expresses the eventual return of all souls to Divine Source. Archon and Aion are archangelic and symbolize a divine binary. In readings, the card serves as a warning that the practitioner has come to a threshold that cannot and should not be crossed. The message is to turn back.

In both the above photograph and the one below, note how some of the card titles end with roman numerals. I’ll address that later in this review.

LXXXI Quareia Deck 04 Inner Realm

Contacts from the Inner Realm are noted by blue borders, case in point Madimi, described here as the “Inner Librarian.” Madimi was one of the spirits that was purportedly in contact with 16th century occultists John Dee and Edward Kelley.

In the printing of the deck copy I received, the borders look more like a deep purple than a blue, but blue or purple, I’m not terribly concerned.

According to the deck description, the art here is done in oils, acrylics, and watercolors. They appear to have been polished and fine-tuned digitally afterward. The art and imagery is very much imbued with Western esotericism and is definitely going to resonate with any practitioner of such traditions.

So far I’ve been trying to remain fair, objective, and factual, but I’m going to break for a moment here and just gush. Omigod I love this deck! The deck fills a void in the tarot/oracle/cartomancy world that I haven’t seen any other deck on the market during the time I’ve been alive and interested in cartomancy even come close to filling. I am not a Quareia practitioner or even a practitioner of Western magic. I don’t even identify as a magician. And yet there is something for me here in this deck.

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Workbook for Devising Your Professional Tarot Business Plan

The Efflorescent Tarot by Katie Rose Pipkin (Self-Published)
The Efflorescent Tarot by Katie Rose Pipkin (Self-Published)

Note: What synchronicity. Theresa Reed of The Tarot Lady asked me to contribute to a really cool piece, “Best Tarot Business Advice from 22 Tarot Pros.” And I had scheduled this post to go live in the same week. Definitely check out Theresa’s blog. It’s one of my favorites.

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So you’ve always been kind of a weirdo. An intuitive weirdo, no less. You read tarot cards. Scrying with a crystal ball is not out of your realm of conceivable possibilities. Also, for the last who-knows-how-long, your friends and family have been asking you to divine for them. You hear the calling to do this as a professional now. That’s right. You want to launch a professional service in divination. Although you’re no computer whiz, you do know your way around the Internet. So you’re thinking, gee, I think I could launch an online business where I do tarot readings for people from home.

What do you do now?

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Tarot and Social Inductive Reasoning

"The Fortune Teller" by Georges de La Tour (circa 1630s).
“The Fortune Teller” by Georges de La Tour (circa 1630s).

I would say this is the dark or shadow side of professional tarot practice. To not face it, to intentionally withhold it from public scrutiny is to practice tarot with your head buried in the sand or worse yet, to intentionally misrepresent what happens or could happen in professional tarot. Everything here makes me uncomfortable. It makes me squirm. It makes me feel icky. I loathe that any little part of my personal tarot practice– always unintentionally– mirrors anything I’m about to address in this post (or in the downloadable PDF I’m providing).

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