The selfie function is hard. I never know where to look…
This is a TarotTube tag started by @Kelly Bear but I’ll be participating via blog post. =) I was tagged by the lovely and precocious @JessReadsCards. The prompt is to share 5 tarot decks, 4 tarot books, 3 tarot spreads, 2 tarot reader habits or tarot reading paraphernalia, and 1 piece of advice (or alternatively, 1 tarot card you’d like to embody).
Ack. You can see my Invisalign attachments in the above photo. And of course now that I called it out, it went from 50% chance you’d see it to 100% chance you’ll see it. Also, shameless off-topic plug for my new book, I Ching, The Oracle. The first few months after an author has released a book, you’re just gonna have to brace yourself for a lot of promo. =D
I’m struggling with swords placement in my Six of Swords wip. In fact, there’s a lot to this illustration composition that I’m struggling with. Maybe you’ll have some suggestions on what I can do.
I’ll start from the beginning. I knew I wanted to play with the religion and science dynamic in the Six of Swords, and my ambition was to do that in a way that isn’t too cliche.
For a ballpark sense of how many videos are now unlisted, as of this posting only 129 of 405 total videos are publicly visible in the general Videos tab and thus only those 129 videos are searchable on the YouTube platform.
Everybody needs a vampire deck. Is a tarot collection even complete without a vampire tarot? 😉 And this one in particular is tantalizing!
The Tarot of the Vampires by Charles Harrington and illustrated by Craig Maher is sleek, modern, and cinematic. You might recognize Charles as the author of the Murder of Crows Tarot (2020), Tarot V (2021), or the Ferenc Pinter Tarot (2021). He’s also a frequent speaker at various tarot conferences.
In terms of a genre, this tarot is delectable blood-sucking dark urban fantasy horror. These illustrations reveal a secret world coexisting with ours– as Harrington puts it, “the world of the undead and their eternal dance suspended between Heaven and Hell.”
That world of the undead and eternal dance enthralls all the more in Tarot of the Vampires because of Maher’s art. Craig Maher is an impressively talented artist in the realm of fantasy and imaginative realism. His renderings of this vampire universe are masterful. The detailing in these illustrations is next level. Just you wait and see.
2019 Masters of the Tarot Conference. Left to Right: Me, Mary K. Greer, Terry Iacuzzo, Rachel Pollack, and Joanna Powell Colbert
I was first invited to present at the Masters of the Tarot Conference back in 2019. The Conference takes place every July at the Omega Institute in upstate New York, and was founded by Rachel Pollack and Mary K. Greer.
Opening ceremonies and introductions happen on Friday evening, with a starter workshop or master class as your night cap. Then the keynote speaker events begin first thing Saturday morning and go until Sunday noon. Interspersed throughout are discussion panels for Q&As and moderated topical conversations. The event ends with all of us having lunch together.
From the 2019 Masters of the Tarot Conference. Photo courtesy of Joanna Powell Colbert (IG: @joannapcolbert)
I’ve had an incomplete draft of a post-event write-up since July 2019 that I never got around to finishing and posting onto this blog. Sigh. And now the 2023 Conference has come and gone, which was the second time I’ve presented at Omega.
So this blog post is going to cover both the 2019 and the recent 2023 events.
I’m a huge fan of T. Susan Chang’s work. I loved Tarot Correspondences, which I’ve reviewed before here, have and cherish my copy of Tarot Deciphered, co-authored with M. M. Meleen, creator of the Rosetta Tarot and Tabula Mundi Tarot, two of my all-time favorite decks, ever.
So I’m thrilled about the opportunity to review Chang’s latest book, The Living Tarot published by Llewellyn Books. Unlike her previous publications, The Living Tarot is written with the beginner in mind, and more pertinently, how the modern reader can find personal, everyday meanings to the 78 cards.
This is a look-through of Casey Zabala’s Wanderer’s Tarot. It’s a black and white tarot deck published in 2021 by Weiser Books billed as a feminist tarot deck for modern witches.
In terms of production, it comes in a fold-out matte finish box while the cards have a semi-gloss finish with metallic silver edging. The size is more oracle than your typical tarot standard, which elevates the presentation aesthetics when you use these cards on clients for professional readings.
Meera Tarot immediately stands out from the crowd, and as soon as I saw it, I realized I had nothing quite like it in my current collection. The art has postmodern avant-garde somewhat Cubist take on medieval Hinduism, rendered with bold, vivid colors and emotive geometric forms.
The deck’s namesake “Meera” means prosperous, virtuous, and fearless, in disregard of social conventions; it can reference a devotee of Krishna, one who is a mystic and a creative.
From the suit of Cups. Per the companion guidebook, this is the realm of feeling. People connected to this suit tend to be artistically gifted and imaginative. Reversed, the suit of Cups can express emotional blocks and repression.
A compelling thesis of this deck is the binate feminine and masculine within each one of us, and that dichotomy’s ever shifting balance. How do you become self-aware of that internal exchange and how does one integrate the two toward self-actualization? The narratives within these cards express the Twin Flame Journey not as one soul in two bodies, but two souls within one body–thus you’ll see the recurring symbolism of the yin and yang.
Random old photo to accompany the commentary. I’m holding the Tarot of the Holy Light by Christine Payne-Towler, which at some point long, long ago I received for free. Do I need to disclose that?
Psst… I have a “TL;DR Short Summary for the Not-Readers” that summarizes this otherwise very long blog post. So if you don’t have the time or you’re only a little bit interested and not that interested, then scroll all the way down to the end for the TL;DR Short Summary.
I’m reviving and sharing a blog post I drafted in 2019 that has sat in my WordPress saved file for the last 3+ years. It’s about FTC-issued disclosure guidelines (“Rules”) for social media influencers, and key takeaways to glean from the Rules if you’re creating content in the Mind, Body, Spirit spheres. I never got around to finishing and posting that 2019 draft, back when the FTC disclosure guidelines first gained traction, but I think now is a good time to reopen the discussion.
What’s of note to me is how the legal minds who are often the ones drafting these Rules seem to be people who have no personal experiences or insights into the communities they’re drafting the guidelines for. Even when they employ subject matter experts, those SMEs tend to be biased, or come from a very particularized segment of the community, and therefore do not fairly represent all interested parties.
There’s consumer protection, which nobody’s against. But then there’s untenable rules of compliance that aren’t clear enough for practical application by the people the rules are demanding compliance from.
By the way, none of this is my legal opinion, and do not rely on it as such. All of this is personal commentary in reaction to the FTC disclosure guidelines as someone who considers herself a deck reviewer but who could potentially be categorized as an “influencer.”
Eastern Ink Tarot was conceptualized by Zhong Ling, a Chinese tarot reader and founder of the Chengdu Arcana Culture Communication Company, the publisher of this deck. She’s also the founder of a tarot school in China, established in partnership with Lo Scarabeo.
Zhong Ling teamed up with award-winning artist Zi Kang, who studied under renowned Chinese masters and trained in traditional Chinese painting styles. For the paintings you see in Eastern Ink Tarot, he sourced his inspiration from ancient books, traditional Chinese culture, and philosophy, specifically the yin-yang school of Eastern philosophy.
Both Zhong Ling and Zi Kang are seasoned tarot scholars, and that’s something I really appreciate from deck creators. They’re passionate and learned about the tarot, and then decided to create a deck. In Eastern Ink, you can see that knowledge come through in which RWS symbols they preserve and where in the art they take creative liberties.
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